Fito Páez

Abel Pintos explores the legacy and great influence of Mercedes Sosa, the woman who revolutionized Argentine folklore. Thus, through interviews with musicians and intellectuals who supported her at the beginning of her career, with her grandchildren who knew her most intimate side, and with artists such as Fito Páez and Charly García, Abel reconstructs and honors the Mercedes figure.

With more than 100 artists, the Kirchner Cultural Center celebrates Charly García's 70th birthday with the event "Charly Cumple", a unique day dedicated to his work.

Aided by archival footage and interviews with its key figures, this documentary delves into the history of Argentine rock music from its origins up to the mid-1990s.

A former Olympic athlete must return to the city where she grew up to fix family problems and face her past.

Documentary on the life of uruguayan legendary musician Hugo Fattoruso.

Performance recorded in April 30, 2011 at club GEBA in Buenos Aires, Argentina, closing the presentation tour of the album "Confía".

Diego Simonney is a lonely man living by the sea, once a famed film director, thence fallen into decadence and oblivion, having lost control of his movie and, subsequently, his life.

A look into Argentina's rock scene post-Cromañon's tragedy. It does not just present the most popular songs by soloists and bands featured in the film, but it goes backstage and shows the artists’ private world, how they write their music, where they live, how they became what they are and what their dreams are.

Live from Gran Rex

Thirteen short films directed by thirteen directors, based on the recitals of Argentino en Vivo 2.

Carmen Uranga is a 42 year-old woman who after 20 years jurisdiction of her native country (Argentina), she returns to solve a family problem related with the inheritance that her sick father wants to leave him. Their return trip results in the unavoidable memories of the torture that that was object during the dictatorship and a dramatic revelation.

На мать-одиночку Мануэлу обрушивается самое ужасное из земных несчастий — в автокатастрофе погибает её единственный сын Эстебан. Подвергнувшись спонтанному порыву, убитая горем женщина возвращается в город своей бурной юности — Барселону. Там она встречается с призраком Прошлого, чьи уродливые когти безжалостно царапают судьбы людей в Настоящем. Мануэле предстоит встреча с отцом Эстебана и его окружением, от которых она сбежала шестнадцать лет назад.

An emotionally distant father attempts to reconnect with the son he abandoned. After his estranged son (Juan Diego Botto) tries to commit suicide, Argentine expat Martín (Federico Luppi) brings the troubled teen to live with him in Spain. But though Martín tries to reach out to his son, he's unable to bond with anyone in his life -- including his much-younger girlfriend

Leonor, a widow in a small South American town, gives birth to Charlotte, a dwarf. The mother not only provides a rich childhood for her daughter, she erases any clues her daughter might see that would lead her to think she is different (mother burns books such as "Snow White" and destroys lawn statues of gnomes). In short, she doesn't want to talk about it. The mother succeeds in creating a modern-day Rapunzel: Charlotte becomes an accomplished young woman who captures the heart of Ludovico. But then, the circus comes to town.

A young man living in a cold southern village in South America, decides to start a trip looking for his father. By doing this he discovers unexpected facts about his Latin American essence.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

After the end of the military dictatorship in Argentina in 1983, Floreal is released from prison. Instead of returning to his wife, he wanders through the night of Buenos Aires. He meets some people from his past–most of which are only imaginary–and remembers the events of his imprisonment.

Luis Alberto Spinetta, perhaps the most poetic musician of Argentine rock, bleeds each one of his songs in the heat of Democratic Argentina in the mid-eighties.