Miguel travels to Pontevedra, his hometown, with the request of serching for some locations for a movie. His trip takes him back to the place where he grew up, meeting up with some old friends, but also leads him to the possibility of a new relationship: Alicia, a young nurse who will get to calm him down.
Miguel will try to finish his work even though he mostly prefers to film the natives he meets, the movements and faces of his friends, the trains coming or the sea. A journey around the uprooting (the cinema) and love.
Editor
The filmmaker Juan Pinzás goes on a physical and also inner journey, in search of some lost images that he filmed in the 80s. The journey takes him from Madrid to Galicia and on the search for these images he meets with various characters who will help him in his undertaking, such as the actors Paul Naschy and Javier Gurruchaga whose personal worlds will be examined in the film. Finally in Vigo, his home city, of which he presents a remarkable portrait, he finds an old film in Super-8mm with the missing images. The catharsis is produced with the viewing of the old film which turns out to be a tribute to cinema and this means the end of the filmmaker's introspective journey.
Paralítico
Режиссёр Микель де Гарей и его молодой продюсер, хорошенькая Андреа Бильбао, собираются снять фильм по последнему роману Розендо Карбайо. Он известный писатель с гомосексуальными наклонностями, разорвавший свой брак по расчёту и теперь живущий с молодым гомосексуалистом. Розендо намерен встретиться с Микелем и Андреа, к ним хотят присоединиться трое друзей писателя – Фенандо, Беатрис и Начо. Конфликт возникает внезапно, когда персонажи начинают играть в опасную игру – копаться в прошлом друг друга.
