Abel Vitón

Ramiro Forteza is a Premier League goalkeeper whom the Civil War and the rigors of the war led to make a living visiting villages and challenging locals to mark him penalty goals. One evening he arrives to a town in Asturias and meets Manuela, a young widow with a son, who survives sewing for Ursula, Andrade's wife, the Civil Guard sergeant.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

A group of fishermen embark on a new adventure to capture the best pieces on the high seas. They leave from the port of Ondárroa, Vizcaya, to depart towards the Atlantic bottom where they usually fish. After several days of fishing, problems begin to emerge.

Pantheon filmmaker Carlos Saura bounced back from a handful of failures with 1989's La Noche Oscura (The Dark Night). Juan Diego stars as San Juan de la Cruz (St. John of the Cross), the legendary 16th-century poet-prophet. Galvanized into action by the spirit of Santa Teresa de Jesus, San Juan fought to install reforms in the Carmelite Order. Like many another visionary, he was regarded as a heretic, and promptly subjected to the most appalling of tortures. Writer-director Saura manages to draw several parallels between the religious persecution of the 1700s and the political despotism of Fascist Spain.

1560 год, Южная Америка. Уже открыты Эспаньола и Куба, Венесуэла и Мексика, Панама и Золотая Кастилья, но Эльдорадо, легендарное государство из золота, так и не найдено. Тщеславие и жажда золота все дальше и дальше гонят испанских конкистадоров в дикие джунгли Амазонии. В очередной опасной экспедиции по неизведанным землям набирается команда самых мужественных и отчаянных рыцарей-авантюристов. Здесь нет законов, здесь нет королевской власти. Впереди - неизвестность и страх, голод и смерть, стрелы индейцев и тропическая лихорадка. И еще - Эльдорадо... Золото или смерть - третьего не дано!

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.

Sister Patrocinio is a nun who is stigmatized by Christ in her hands and feet. Although some believe in this mystical fact, others suspect of manipulation and take it to the court of justice.

In the summer of 1977, a political prisoner, living in exile, recounts the circumstances of his escape to a journalist: in April 76, a group of ETA members planned to escape from prison, but the project fails when, due to a tip-off, the guards discover the tunnel they are digging. The inmates, far from being discouraged, start a second tunnel.

Faustino Briones is a hardline Falangist who, unhappy with the changes in Spain and after mounting several scandals in his work, is admitted to a psychiatric hospital. Without waiting for him, he begins to interact with the nuns of the place, but especially with one, Sr. Angustias with whom he is beginning to feel things

A political prisoner in a South American dictatorship escapes and is pursued throughout the country by a bloodthirsty dog.

A young ex-seminarian named José is doing his military service in Córdoba. There he meets Carmen, a beautiful flamenco dancer who falls madly in love, to the point that he steals to get money for her, so he will be imprisoned. José does not support the separation and, when he is driven by the Civil Guard on a train, he runs off by jumping out the window. He then left for Madrid in search of Carmen, who now lives in the company of his uncle, the lame, master of dancers. The woman welcomes José coldly, although they engage in a strange and tense relationship behind the back of El Morao, her former pimp, who lives with her again (jsanchez, IMDb).

Vicente and Margarita are a traditional and middle class married couple whose life is surrounded by a sea of confusion and uncertainty when their children begin to make their own decisions. They have discovered love and will not let their parents tell them what to do or who they have to love. The principles and traditions of the family will be replaced by each of the young people who will represent the different social problems of the time. Thus, the coexistence between them will change without Vicente and Marga can do anything to avoid it.