Marc Bellver

Фильмы

Don't Open the Door
Cinematography
Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.
Feral
Cinematography
The mountains of Oaxaca harbor the remains of a ravaged and burnt shelter, once home to a psychoanalyst priest who used it to look after savage children, trying to re-integrate them into society. Through videotape diaries and interviews, the truth of what happened is shockingly revealed.
Bootleg Dad
Director of Photography
Ian discovers that André, a former soap opera star and current alcoholic is his real father. Ian decides to go work at his ruined mascot business where he finds a place populated by extravagant people and discovers the meaning of fatherhood.
The Cloud Forest
Director of Photography
A small community in Veracruz is the guardian of one of the ecosystems facing the most risk: the cloud forest. By redesigning their needs, education and relationship with other people and with nature, they search for a simpler and sustainable life.
Jeremy
Cinematography
El Jeremías is a heartwarming comedy film about family love and the hard choices that come with opportunity. Set in Sonora Mexico, the film tells the story of Jeremías an eight year old who finds out he is a gifted child and initiates a journey of self discovery. When an opportunistic physiologist makes contact with Jeremías, a new world of experiences open up to him but at the expense of being away from the family he loves. Jeremías must choose between this exciting but lonely new world he finds himself in or returning home to his loving family.
El Maíz en Tiempos de Guerra
Cinematography
Maize in times of war traces the yearly cycle of four Indigenous maize plots in different regions of Mexico. This film illustrates the exceptional process of maize, the delicacy of selecting seeds, preparing the soil, the tenacity and the nuances involved in the whole process, then when the harvest arrives after months of work the families enjoy the fruits of their labor.
Demon Inside
Cinematography
Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia. She couldn't see the devilish side of her rapper, Mario, and now, Marta is afraid that Mario will stalk her again. As soon as she released from the asylum, she moves to Monica's uncle apartment. There, she feels safe. But soon, she has trouble with her crazy neighbors. And if this wasn't enough, a spectrum starts to haunt her, making her life impossible. Marta will have to fight against all these difficulties and manage to get her gift back before Mario finds her.
Ciudad Merced
Director of Photography
An audiovisual portrait about La Merced neighborhood in Mexico City
Corazón del tiempo
Director of Photography
A young woman in the southern Mexican region of Chiapas falls for a revolutionary fighting in the Zapatista conflict.
My Life Inside
Second Unit Cinematographer
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.