Ramón Lluís Bande

Ramón Lluís Bande

Рождение : , Gijón, Asturias, Spain

История

Ramón Lluís Bande, born in Xixón in 1972, is a filmmaker and writer. Among his films that explore the languages ​​of non-fiction include titles such as "El fulgor" (2002), "Estratexa" (2003), "De la Fuente" (2004), "El paisano. Un retratu colectivu" (2005), "La carta de Bárbara" (2007), "Equí y n’otru tiempu" (2014), "El nome de los árboles" (2015) and "Vida vaquera" (2016). Among his fictions: "Malu" (1999), "L’aire les castañes" (2001), "Divina Lluz" (2005) or "Llar" (2014) –in collaboration with Elisa Cepedal-. He has also directed musical films for Nacho Vegas, Manta Ray, Mus, Viva Las Vegas or Aroah, among others. In recent years he has created and directed several documentary series for Asturian public television (RTPA), such as "Camín de cantares" (2007-2011), "Camín" (2012-2016), "Ende" (2012) –co-directed with Luis Argeo-, "Güelos" ( 2014) or "L'alzada" (2015). In the same channel for ten years he has directed the audiovisual magazine of Asturian culture, Pieces. With more than a dozen books published, a selection of his narrative work, originally written in Asturian, has been translated into Spanish in the volume "Las habitaciones Vacías" (2010).

Профиль

Ramón Lluís Bande

Фильмы

Contracampos
Contracampos
Editor
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
Contracampos
Contracampos
Writer
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
Contracampos
Contracampos
Director
Contracampos is the attempt to (re)build a landscape. A recreational area and a shooting range in the west of Asturies, which, between 1937 and 1943, housed a Francoist concentration camp through which thousands of Republicans passed – firstly militiamen, later guerrillas and their relatives. Sharing a leisurely observation with the viewer, the film intends to resignify that space, giving it back its political meaning. But it is not a question of showing –of filming– the invisible, but rather of showing what is missing in what exists today. What was and is no longer, not even in people's memories.
Cow Lowing Among Ruins
Cow Lowing Among Ruins
Director
“Together we lived the revolutionary experience of these last years. Together we took up arms in October. Together we suffered the bloody blows of the repression. As class brothers we rose up to crush the criminal uprising caused by the most rotten part of the Spanish reaction”. A story of the Sovereign Council of Asturias and Leon (August 24 – October 21, 1937).
Hotel Asturies
Hotel Asturies
Director
Nine Asturian filmmakers reflect aloud, alone in a hotel room, on the existence, the main characteristics, and the current situation of the cinema made in Asturias.
El pasado presente
El pasado presente
Producer
After more than a decade working in England, the filmmaker Elisa Cepedal returns to Cuencas to shoot a film about the end of the two centuries of history of coal mining: around her other remains of her land's past are dying.
Cantares de una revolución
Cantares de una revolución
Director
Escoréu, 24 de diciembre de 1937
Escoréu, 24 de diciembre de 1937
Writer
Escoréu, 24 de diciembre de 1937
Escoréu, 24 de diciembre de 1937
Director
Lluz d'agostu en Xixón
Lluz d'agostu en Xixón
Documentary about Gijón through the eyes of acclaimed singer-songwriter Nacho Vegas
Vida vaquera
Vida vaquera
Writer
Vida vaquera
Vida vaquera
Director
El nome de los árboles
El nome de los árboles
Director
A small film crew moves through Asturias in search of the places where the main ambushes against the Republican Guerrilla (1937-1952) took place. In that trip, they meet several people willing to share with them their memories of that time.
Llar
Llar
Writer
Llar
Llar
Director
Equí y n'otru tiempu
Equí y n'otru tiempu
Director
Between October 1937 and November 1952 hundreds of Republican supporters took to the mountains of Asturias with two main objectives: to save their lives, and to continue their armed resistance against Franco. Many of them would die in those mountains. This film is centered on filming the places in the present where the major figures of the Asturian Guerrilla Group were killed.
Sangre
Sangre
Writer
Sangre
Sangre
Director
La carta de Bárbara
La carta de Bárbara
Director
El Paisano. Un retratu colectivu
El Paisano. Un retratu colectivu
Writer
El Paisano. Un retratu colectivu
El Paisano. Un retratu colectivu
Director
De la Fuente
De la Fuente
Writer
De la Fuente
De la Fuente
Director
Estratexa
Estratexa
Writer
Estratexa
Estratexa
Director
El Fulgor
El Fulgor
Writer
Documentary directed by Ramón Lluís Bande about the creative process Nacho Vegas makes about El Fulgor, song included in his second album "Cajas de música difíciles de parar" (2003).
El Fulgor
El Fulgor
Director
Documentary directed by Ramón Lluís Bande about the creative process Nacho Vegas makes about El Fulgor, song included in his second album "Cajas de música difíciles de parar" (2003).