Director
If the world has an edge, then it is almost certainly visible from Iceland. On the outermost cape, beyond which there is only the inhospitable Arctic Ocean, lies a farm belonging to Úlfar and his wife. This autumn will be the last time their grandchildren come from the city to drive the sheep back down from the hills. An almost tangible cinematic fabric that weaves a tale of an abandoned place where the mist clings to the steel-blue surface of the sea and where the occasional human visitor is sometimes welcome.
Screenplay
More than a thousand autumns ago, humans arrived with their animals to a land pushed up against the Arctic Ocean. Autumns came and autumns went. Where the road ends, Úlfar, the last in a long line of farmers, lives with his wife. As autumn returns their grandchildren arrive from the city to attend the last herding of the flock. Next autumn farming will cease and all the sheep will be gone, but the landscape pushed up against the Arctic Ocean will continue to tell about that one Last Autumn.
Director
More than a thousand autumns ago, humans arrived with their animals to a land pushed up against the Arctic Ocean. Autumns came and autumns went. Where the road ends, Úlfar, the last in a long line of farmers, lives with his wife. As autumn returns their grandchildren arrive from the city to attend the last herding of the flock. Next autumn farming will cease and all the sheep will be gone, but the landscape pushed up against the Arctic Ocean will continue to tell about that one Last Autumn.
Director of Photography
"Art was an important factor of my childhood, where I would spend time watching mama, through the threads. Today I am back in Iceland, watching her again - this time through the camera. We have not lived under the same roof since I was a teenager. I am 35, without children and a strong desire to make a film about her. Mum is not interested in being filmed. The film does not only deal with a mother - daughter relationship, but also a filmmaker and a subject with their own will." Salóme is Yrsa´s first documentary after finishing her master in creative documentary at Pompeu Fabra, iDEC, Barcelona.
Writer
"Art was an important factor of my childhood, where I would spend time watching mama, through the threads. Today I am back in Iceland, watching her again - this time through the camera. We have not lived under the same roof since I was a teenager. I am 35, without children and a strong desire to make a film about her. Mum is not interested in being filmed. The film does not only deal with a mother - daughter relationship, but also a filmmaker and a subject with their own will." Salóme is Yrsa´s first documentary after finishing her master in creative documentary at Pompeu Fabra, iDEC, Barcelona.
Director
"Art was an important factor of my childhood, where I would spend time watching mama, through the threads. Today I am back in Iceland, watching her again - this time through the camera. We have not lived under the same roof since I was a teenager. I am 35, without children and a strong desire to make a film about her. Mum is not interested in being filmed. The film does not only deal with a mother - daughter relationship, but also a filmmaker and a subject with their own will." Salóme is Yrsa´s first documentary after finishing her master in creative documentary at Pompeu Fabra, iDEC, Barcelona.
