Joaquín Neira

The film is set in the world of the “arbolitos", those characters that, planted along the Florida pedestrian street, offer tourists in Buenos Aires to buy their dollars at the best price. There takes place the life of a young man who is moved by the ambition to raise the money that allows him to improve his life in the shortest possible time, and that he will not hesitate to take the necessary risks to achieve it.

In Camouflage, writer Félix Bruzzone embodies a runner who has an obsession with Campo de Mayo, the biggest military unit in Argentina. It is also the place where his mother disappeared in 1976 and the main clandestine center of detention, torture and extermination during the last dictatorship. The film will follow Félix as he finds characters that allow him to enter and explore this place so loaded with history.

Strahinja, a smuggler with a failed marriage, becomes stranded with teens he's to take across the border to Hungary. The boys' open-hearted approach to life makes Strahinja aware of the walls he has built around his own.

В жизни Себы, человека средних лет, происходит несколько грустных и приятных перемен, вызванных совершенно абсурдными происшествиями, среди которых история с тихой собакой, на которую вдруг все стали жаловаться за громкий лай, и появление метеорита, навсегда отравившего атмосферу выше четырёх футов от земли.

Официальный синопсис фильма гласит: «Бог воплотился в Электростанции. Одной туманной ночью пропадают коровы, ребенок оказывается избранным, подросток ищет свободы». Всего за десять минут Агустина Сан Мартин разворачивает религиозную мистерию, принципы которой остаются неясными, но именно поэтому, как в жанре хоррора, особенно убедительными.

Пума преследует Пуэбло Насьона Ранкеля, коренную общину на севере Аргентины. Охота - это обряд, и старшие мальчики хотят убить пуму. Но Уриэль выбирает другой путь.

Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.

Fidel asks for a loan and buys ecstasy with his friend Camilo. The dealer details the procedure. They will only sell on Saturday in a nightclub. They pay cash and leave. Uneasy, Fidel invites Sole home. He boasts about the pills and shows her the stash. They take one each, they dance, and go into the bedroom. With Fidel naked in the bed, Sole walks out of the bedroom, grabs the bag of pills and hides it in her purse. She returns to the bedroom with a condom. Fidel wakes up next morning all alone.

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.

Pantanal is a South American road film, situated somewhere between fiction and documentary, that takes place between Buenos Aires and the Pantanal in Brazil’s Mato Grosso. A man flees Buenos Aires with a bag full of money and with every intention to repay the debt he owes his brother, with whom he has lost touch with years prior. The journey towards the Pantanal becomes complex as the man runs into various complications and begins to believe that someone may be following him. As visually stunning as it is intellectually stimulating Pantanal employs documentary testimonies of the people who encountered the man throughout his journey, adopting real life into the fictional narrative. Working within a hybrid between fiction and documentary keeps the film both captivating and engaging throughout the film’s entire journey, in addition to adding emotional credibility to this road movie.