Rachid is a young man who survives in Morroco boxing in clandestine fights in order to save enough money with which to pay a smuggler, and be able to cross the Strait of Gibraltar with his two friends.
Sami, Zouhair, and Hicham get involved in a trouble with the police, which results in Sami's arrest. As Hicham and Zouhair rush to request aid from Amal and Sara and the lawyer Nisrin to help their detained buddy, but they run into complications, including coming up with 30 million for his bail.
Maati, owner of a hearse, is charged by the family of the deceased to transport the body of their relative from Marrakech to Tetouan for his burial following his will. Accompanied by his pregnant wife, the couple will face tragi-comical events and conflicting situations during their journey where they realize the greed and egoism of the family of the deceased whose only purpose is to sharing the inheritance ...
In Casablanca, Ali, Hmida, Mbarek and Messoud are four unemployed youths who spend their time dreaming of a better life in the Netherlands. One day, Hmida falls on a specialist of illegal immigration, Ouchen. The four friends manage to collect enough money only for the departure of one of them, Hmida. Several months later, it still has not given any sign of life. Ali, Mbarek and Messoud discovering that he is not in Holland but in Afghanistan, they decide to go looking for him on the road to Kabul.
Группа студентов воскресной школы находит таинственную камеру. Они начинают дурачиться, фотографируя друг друга, но когда решают посмотреть отснятое, вместо сделанных кадров на снимках проявляются картины их собственной смерти. Вскоре ужасные кадры запечатленные камерой начинают воплощаться в реальность. Оставшиеся в живых студенты пытаются сложить кусочки головоломки воедино, пока сами не стали следующими жертвами камеры.
As co-directed by brothers Swad and Imad Noury (and produced by their mother, Pilar Cazorla), The Moroccan picture Heaven's Doors (2005) employs an episodic narrative, with three related substories presented sequentially. The Nourys shoot the episodes in distinct cinematographic styles (and with distinct overtones) suited to each tale, recalling Humberto Solas's masterpiece Lucia (1969).
