Marta Marrone

Фильмы

Dorothy non deve morire
Set Designer
Мама: гостья из тьмы
Art Direction
Знаменитый археолог Норман приезжает в небольшой итальянский городок, чтобы принять участие в раскопках старого кладбища. Приехавшая с ним дочь решает вызвать дух недавно погибшей матери. Но, сама того не осознавая, вместо матери она призывает дух 13-летнего сына ведьмы, которого 100 лет назад тайно похоронили заживо за его злодеяния. Ведьма, искавшая своего сына целый век, наконец-то получает шанс с ним воссоединиться.
Carlo and Clara
Art Direction
In a curious-looking old hospital, an elderly couple, Carlo and Clara, is waiting for their turn tenderly holding hands. There is a choice to be made, and the woman begins to hesitate. Only the words of the loving Carlo will be able to transform fear into courage. At one point the setting makes way for animation, suggested and overlapped by the words of Clara. It leads the listener to a deep reflection on life. The brief evocation of the magic of existence is imprinted in the deeply moved smile of the woman, certain that life on Earth is nothing but a stage of eternity.
Carlo and Clara
Production Design
In a curious-looking old hospital, an elderly couple, Carlo and Clara, is waiting for their turn tenderly holding hands. There is a choice to be made, and the woman begins to hesitate. Only the words of the loving Carlo will be able to transform fear into courage. At one point the setting makes way for animation, suggested and overlapped by the words of Clara. It leads the listener to a deep reflection on life. The brief evocation of the magic of existence is imprinted in the deeply moved smile of the woman, certain that life on Earth is nothing but a stage of eternity.
Il più bel secolo della mia vita
Production Design