Ken Gregory

Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.

Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.

Good Citizen: Betty Baker is a tongue-in-cheek mystery, full of unexpected twists. It features Betty, a civic-minded housewife who inhabits a cartoonish, 2-D, 1950s-inspired world, replete with narrow-minded peril. The story begins when Prince Philip goes missing and Betty finds a clue that leads her on a thrilling chase from her neighbour’s trash, to a strangely exciting all-girls bar, to the local chapter of 100% Women. Accompanied by the musical stylings of Marilyn Lerner, this frolicking satire irreverently unravels right-wing family values.

A Day in the Life of a Bull-Dyke follows a big boned butch into skirmishes, drag, and the arms of a beautiful recruit. The public and private lives of this "strange animal" are explored with the reverence and glee found in the educational exposés like Reefer Madness and bad-boy films like Rebel without a Cause. However, because this fictionalized lesbian history is a first-person narrative, it is filled with all the joy, pain, and ambivalence each of us experiences while negotiating a marginalized identity.

Mike is released from a mental institution and finds himself in a filthy room and board where dreams and reality are one. A moving depiction of mental illness and a scathing indictment of the impersonal health care system.