Petros Fyssoun

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

Alexis is an explosive personality, passionate about life, humanity, nature, love and beauty. That is until the breakneck rhythm, intensity, stress and convolutions of career and economic success shatter him, alienating him from everyone and everything he loves: even his children and his soul mate Maria. Alexis is jolted back to reality when the unbridled greed of the multinational conglomerate his company is involved in causes an unprecedented ecological catastrophe costing many human lives. The multinational's Golden Boy suddenly realizes that he is nothing more than a cog in the machine he had fought so passionately against in his youth. He is determined to rediscover himself, to reclaim his soul, to rebuild the dream with Maria - but he is completely trapped. He is caught in a web of intrigue that tightens like a vice driving him to an inevitably lethal conflict with the conglomerate.

Знаменитый писатель узнает, что тяжело болен и проживет лишь один день. Он встречает мальчика-албанца и решает посвятить маленькому нелегалу этот день — то время, что ему отпущено.

A U.S. Embassy worker is helped by an Interpol agent to prove herself innocent of a murder in the Greek isles.

A poetic visit to the city of Athens, based on paintings, poems and philosophical texts.

Following the torpedoing of the destroyer Elli on August 15, 1940 on Tinos by an Italian submarine, war was declared, and the Italians attacked the Albanian front on October 28. From an outpost on the Greek-Albanian border, a military truck unexpectedly comes under fire by Italian tanks. Petros, the only one who manages to escape death or captivity, saves a village girl, Maria. However, the Greeks manage to recapture the machine-gun nest, setting free the soldiers who had been pinned down. The platoon in question puts up a hard fight against the Italian invaders, while, at the same time, the Greek army is preparing for a counter-attack, which doesn't take long to happen. Right after, the Italians are forced to fall back; Northern Epirus is recaptured, and the army of the Badoglio is repulsed from the Adriatic.

In Vienna 1820, the Manto Mavrogenous encounters a group of Greek students and talk of revolution to be made. Returning to Greece uncle of the initiates at Friendly Society. Madonna sells its dowry and equip their ships and army to help the revolution. Meet the founder of the Friendly Society, Dimitrios Ypsilanti, and builds relationships with him but encounters the objections of the political leaders of the struggle and particularly of Ioannis Kolettis who fears the two young people like to be the first king of the new nation. To break up the uses of beautiful paintings Niki monk who just came from Paris.

Two friends, a military and a journalist, after the collapse of the Albanian front, go to Macedonia to organize resistance against the Bulgarians.

A young man, Jason, is on his way home and meets two beautiful women, Hope and Alexis. He falls for Hope, but has sex with Alexis. He doesn't know that Alexis' husband has hired a private detective to trail her, and the man reports back to Alexis' husband about her affair with Jason. The husband kills Alexis but the police suspect Jason. He and Hope have to clear his name and find enough evidence to prove the husband is the killer.

A proud sponge-diver revolts against a cruel noblewoman, who exploits the islanders. When she finds out that her daughter is in love with him, she marries her off to his friend, and now, the knives have the final say. Can reason prevail?

We are in 1942, in the middle of the German Occupation, on an island opposite the coast of Asia Minor, where a mature woman, Katerina Rodeli, cares for a wounded resistance fighter named Kanaris. In her memory, there are images of the past, the panic of the Asia Minor catastrophe and especially the entrance of the tsets in her village. There she lost her three-year-old son, Konstantin, whom he never ceased to look for. However, the village's mackerel maharagrite handed it over to the Germans and, in the face of the danger, they were arrested along with the wounded and a boat ride on the Turkish coast to find themselves immediately enclosed in a refugee camp. His commander is a tough second lieutenant, Osen, who is bought by the English consulate of Izmir to transfer the fugitives to Egypt.

Karl (Petros Fyssoun) is a German officer who falls for a young Greek woman of Jewish ancestry in this symbolic war drama. He wants to marry Lisa (Elli Fotiou), but he dutifully turns her over to the Gestapo when she reveals she is Jewish. Karl learns of the Nazi atrocities when he is transferred to the Eastern Front. At the end of the war, a dejected Karl returns to Athens in hopes of being reunited with the woman whom he willingly turned over to authorities and who ended up in a concentration camp. The premise of the story is hard to take because Lisa was well aware of Karl's rampant anti-Semitic beliefs when her uncle overheard Karl making a speech.

Andreas, nephew of the abbot of the Monastery of Dionysios, who died eight years previously, arrives at Agion Oros (Mount Athos) with a team of smugglers of antiquities, with the intention of stealing a gold cross set with precious gems, known as the Cross of Alexander the Great. He earns the trust of the meek and hospitable monks. However, a Jewish girl, Anna - whom, while still a baby during the war, her father had entrusted to the care of the hermit Vasileios - continues to pretend she is a young monk. She manages gradually to discover the entire scheme and acts to foil their plot.

An organ grinder (Orestis Makris) loses his wife from complications during birth. Distraught by her death, he refuses to take care of the baby and gives it to a family (Lavrentis Dianellos and Nitsa Tsaganea) to raise. The child (Jenny Karezi) is raised comfortably, and her natural father is too embarrassed to meet her - until she falls in love with a poor musician (Petros Fysoun), and her foster parents refuse to accept their relationship.

Some months before the outbreak of the Greek Civil War three outlaws struggle for survival in the mountains. Directed by Nikos Koundouros.