Marta Aura

When she is fired from her only job in a series of infomercials, Amanda, an actress with little talent and whose film career is forgotten, decides to resume her career in the midst of an economic crisis that leads her to a questionnaire about her vocation, but also, that the shore to rethink its responsibility as the mother of Nicolás, a 7-year-old boy to whom she had not paid much attention until then.

Четыре истории о любви, ненависти и конфликтах, представленные с точек зрения разных поколений: Хуго и Андре собираются расстаться после 10 лет совместной жизни. Фито встречает друга детства и заводит с ним роман. Маурицио влюблен в одноклассника, которого приглашает в гости. Пожилой поэт добивается внимания молодого человека в бане.

A tragic and epic love that transcends time and generations unites Maria and Javier forever. During important periods in Mexico (The War of Independence, the Revolution and current times) these souls play out their destiny facing political squabbles, social pressures, family hatred and historical battles, seeking to make a relationship flower which seems fated to die.

In a reinterpretation of Madame Bovary set on contemporary Mexico City, Emilia, a middle class housewife, tries to deal with the monotony of her life. One day, she loses the two things which makes everything beareable: her lover and her credit card.

Alejandro Gerber Bicecci's "Vaho" (Becloud) tells the story of three childhood friends, Andres, Felipe, and Jose, and their lives in a dusty, run down corner of Mexico City. The boys were inseparable until they witnessed a tragedy that haunts them to the present day. The tragedy shaped each boy differently, and had a profound effect on their lives.

Remake of Carlos Enrique Taboada's classic film from 1969, IMDB says: "Julieta is a young child psychologist hired by millionaire Eugenio Ruvalcaba, to work with his only daughter, Sylvia, who has severe emotional problems, while staying in their isolated island mansion. Once there, she finds out there's much more to Sylvia's imaginary friend than what everybody knows... and the results can be horrifying..."

Documentary about the life of Mercedes Pinto by three women, student, journalist and writer, go in search of another woman: Mercedes Pinto Canarian writer. The film recovers the memory of one of the most important figures in the defense of the rights of women, to get into what their struggles were vital: gender violence, the social status of women ...

Действие происходит в 1930-х годах спустя два десятилетия после Мексиканской революции. Каталина Гузман рассказывает историю своей жизни и своего брака с амбициозным генералом Андресом Асенсио. Соблазнив её и женившись, он занимает пост генерал-губернатора, а она выполняет роль светской дамы. Полностью отдавшись политической карьере мужа, Каталина преданна ему, несмотря на его любовницу и детей, которых ей приходится воспитывать. Зрелой женщиной она влюбляется в молодого дирижёра и левого активиста Карлоса Вивеса, который становится её самой большой любовью и трагедией.

Marcelo and Sofía love each other, but both suspect the other of infidelity. Marcelo, a film director, accidentally discovers condoms in Sofía’s purse. They are really for Marcelo’s younger sister, but he thinks the discovery confirms his suspicions and keeps one as evidence. Sofía discovers the condom in Marcelo’s wallet and takes for granted that he is cheating on her. Pepe, Marcelo’s cousin, pretends to be him to impress a girl, further complicating the mix up.

Двое друзей, не обремененных моральными принципами и мучимые подростковыми гормонами, ищут под жарким солнцем Мексики приключений. Ищут - и находят. Познакомившись на празднике с испанской красоткой Луизой, чье сердце безнадежно разбито, они приглашают ее отправиться в поездку на мифический пляж с романтическим названием «Небесные уста» - в мир фантазий и грез, где исполняются мечты. Луиза, решив развеяться и заодно излечить свое разбитое сердце, принимает приглашение мальчиков. Они еще не знают самого главного…

A look back at a director's life with his neurotic mother.

After her husband leaves her for a younger woman, Julia plans her revenge with the help of her grandmother.

"La Nueva Jerusalem" is a small community of believers lead by Papá Basilio and Mamá Dorita. They're waiting for the second coming of Christ, so they've abandoned the world, searching for a new spiritual life. Mamá Dorita sees in young Tomasa the signals of the chosen one. The young girl will be the new leader in "La Nueva Jerusalem".

In the middle of a city facing a new century, a group of friends between the ages of 15 and 18 live out the adventures, deceptions and anxiety of "The First Night."

Four childhood friends decide to play a prank on an aunt of one of the four. Two enter the house and two others remain waiting in the car. When the alarm goes off, the two waiting in the car escape, leaving the other two to escape on their own. After that, the friends begin distrusting each other wondering what really happened during those three minutes in the dark inside the house.

История несчастной алкоголички Глории Дукью, бедной проститутки в Мехико. Первые кадры с ней – оральный секс с несколькими барыгами, когда они толкают наркотики. Что-то идет не так и два коррумпированных правительственных агента и местный бандит погибают. Она улетает в Мадрид, в родной город…

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

A bureaucrat gets a house and even a car on credit thanks to the support of a compadre who is a union leader, but then has difficulty paying because he is fired in a job cut despite the many years he has been working.

In a miserable circus, a young trapeze artist seduces her father, gets pregnant and decides to have her baby, so she leaves the circus and joins a group of puppeteers who make shows from passages of the Bible.

On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.

Luz is in jail, accused of murdering her own children. Her husband and her mother-in-law say she killed them in cold blood. Dr. Rebollar tries to help the woman, but she refuses to remember anything. Luz thinks of jail as the purgatory: it's only one step to reach the Heaven.

A domineering, reclusive and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.

Mexican feature film

After having his genitals brutally mutilated during childhood, a man must face prejudice and himself.

Subsistence-economy slum guy who sells used newsprint for a living breaks into showbiz with an inadvertantly-comical fire-eater act. The novelty of him wears off very quickly, and then...

Shmuck makes a superhero costume, rides his bike to crime scenes. He gets involved with something big involving US capitalists taking over local Mexican businesses.

A woman is sent to Mexico to kill the person who presumptly killed her father.

A doctor can predict the death of their patients (Terminal Case), an old man meets a teenager through an ad in the newspaper (Classifieds), two young people are assaulted in the historic center of Mexico City (We're Everywhere), a mechanic confesses that he did not fix the brakes on one of the cars in his workshop (Intolerant), two children witness how some students get beaten while riding the bus (Juliet), Mariana Rodriguez shows us forms in which murals by David Alfaro Siqueiros are constructed (Siqueiros Model), a desperate woman seeks medicine for her mother who has terminal cancer (Ambulance Music) and finally a voyeuristic man asks for assistance to his upstairs neighbors while someone is making love (Neighbours). Eight Mexican films packaged in a 90-minute feature, because life is SHORT.