Ivan Ladislav Galeta

Рождение : 1974-05-09, Vinkovci, Yugoslavia

Смерть : 2014-01-07

История

Galeta lived in Kraj Gornji, where he performed his Endart projects, and worked at the Academy of Fine Arts in Zagreb. He graduated from Zagreb's School of Applied Arts and Design (Department of Applied Graphics) (1967), at the teacher training college in Zagreb (1969), and at the studies of pedagogy sciences at the Faculty of Philosophy in Zagreb (1981). In the last few years he created pieces of internet art.

Фильмы

Martinac
Himself
Documentary about the life and work of Ivan Martinac (1938-2005), avant-garde & experimentalist filmmaker from Split, Croatia.
time/ OUT OF JOINT
Himself
With research that spans the work of philosophers Gilles Deleuze and Martin Heidegger to modern mythologies in which time reversal plays a crucial role — such as failed time machines, speed of light travel, and occult practices involving speech — Stracke combines science and philosophy in an attempt to defy death through cinema and the notion of time reversal.
End Art No. 1
Director
A video that uses Finnegans Wake as a structuring device to create a portrait of the farm Galeta retreated to in his final decade, where he focused on making the study of permaculture his ultimate 'artistic landscape'.
The Letter
A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.
The Letter
Editor
A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.
The Letter
Cinematography
A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.
The Letter
Producer
A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.
The Letter
Director
A video letter, created during the years of war in Croatia when communication with the rest of the world was difficult. It is addressed to the author's Hungarian and British friends. The author is sending electronic flashes with his hands, and his voice delivers the message in Hungarian and English.
Wal(l)zen
Writer
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.
Wal(l)zen
Director
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.
Water pulu 1869 · 1896
Director
Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.
Rhytmical Lines
Director
A short experimental film dedicated to Polish artist Wacław Szpakowski (1883–1973).
Two Times in One Space
Director
One film projected two times with a difference of a couple of seconds.
Sfaira 1985 -1895
Director
A short experimental film; "An hommage to silent movies".
Piramides 1972-1984
Director
Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.
Media Game I
"A one-minute split-screen goof" from Yugoslavian artist Ivan Ladislav Galeta.
Media Game I
Director
"A one-minute split-screen goof" from Yugoslavian artist Ivan Ladislav Galeta.
TV-Ping-Pong
Director
An early video work by Ivan Ladislav Galeta that underlines the perceptual presumptions of video-media.
Forwards–Backwards: Piano
Director
A delightful experiment in sound, using classical music. Galeta iconoclastically subverts the romantic score of a Chopin waltz by manipulating three out of four performances by pianist Fred Dosek.
Metanoia
Cinematography
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.
Metanoia
Writer
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.
Metanoia
Editor
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.
Metanoia
Producer
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.
Metanoia
Director
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.