Director
The film is constructed from video material that the author shot in 1999 at the horseshoe factory in Karlovac (closed in 2005). It consists of 99 shots. A special software arranges the shots in a new random order each time it is run. Each generated configuration represents a unique author film - the Nth Cinematic Nail Factory, where N is the ordinal number of each film edited in this way.
Director
Quotes from Okakura’s The Book of Tea are a connecting tissue and the tea ceremony is a dramatic scene of juxtaposing personal and public space in the video work of Sanja Iveković and Dalibor Martinis. Opposed to the stylized and highly spiritual-meditative dimension of the Japanese ritual, the omnipresent background of its metaphorically impregnated and pseudo-narrative staging of the Croatian artists is a TV image. The order of objects and the peace of the tea drinkers is penetrated by chaos; the calm ritual is turning into a drama...
Director
The artist is balancing a video-camera on a tripod the top of which is poised in the palm of his hand. The lens of the camera is directed downwards so that it acts the part of witness and hostage of the action at the same time. Although the camera, together with the hand holding it, is keeping moving, it is seemingly staying still, and the floor the author is standing on appears to be sliding away. The video lasts as long as the artist retains the control over the equilibrium of the camera.
Director
An early performance by Dalibor Martinis with half-inch tape on an open reel. The tape he winds round his head is also the medium that records the performance. The interruptions in the tape are a structural component of the recording.
Director
Produced at the Motovun Video Meeting in Croatia, 1989. Screened in retrospective at Alternative Film/Video Belgrade Festival 2014.
Director
Early video-installation by Dalibor Martinis, where the artist turns the TV set into a still life and info news into "circulus vitiosus".
