Fabián Oliver

В засушливых горных районах Боливии пожилая пара кечуа уже много лет живет по одному и тому же распорядку дня. Когда необычно долгая засуха угрожает всему их образу жизни, Вирджинио и Сиса сталкиваются с дилеммой: сопротивляться или потерпеть поражение от течения времени. Все ускоряется с приездом их внука, который приезжает в гости с новостями. Трое из них столкнутся, каждый по-своему, с окружающей природой, необходимостью перемен и смыслом самой жизни.

На Диану в собственном доме напали двое мужчин и изнасиловали. Но она решает не обращаться в полицию и не рассказывать о случившемся мужу, просто прибирается дома и делает вид, как будто ничего не произошло. А её муж Марио немного необычный человек — он обладает целым набором фобий.

When Liliana decides to return to Uruguay she will have to face up to a new dilemma, perhaps the last great dilemma of her life: To choose between supporting a collective case for female prisoners, raped during the time of the dictatorship, or to reconcile with her son and be able to live peacefully as a mother and a grandmother.

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

Still bitter from a recent divorce, martial arts instructor Clever discovers a car tricked out with flames in his neighborhood and sets out on a single-minded quest: to find the artist and treat his own vehicle. His journey leads to a secluded village, and to an enigmatic personality who isn’t quite what he expects. Delightfully odd and idiosyncratic, Clever is an absurd satire of the fragile façade of masculinity.

Agustín forgets things; he is aging and he knows it. María is never alone: she watches over everyone, sleeps very little, and works too much. She’s increasingly overwhelmed. One day, on impulse, María decides to abandon Agustín.

In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.

The film explores the effects in the society that the last military dictatorship inherited. In Uruguay there are still a lot of desaparecidos - people who vanished during the dictatorship between 1973 and 1985 - and were never found again. María Emilia is one of them and still missing. She disappeared when she was 22-years-old, with her husband and her child of 18 months. María Esther - her mother - spent 16 years searching only to finally find her granddaughter living with a family of an Argentinean military officer in Buenos Aires. After learning the truth about her origin, the granddaughter chose to continue living with the parents who adopted her by force when she was a baby.

Documentary by Mateo Gutiérrez about the life of his father, Héctor "Toba" Gutiérrez Ruiz (1934-1976), which includes interviews with people who witnessed moments in the life of the former president of the House of Representatives, assassinated by the Uruguayan dictatorship

Sandra works at a toll booth. Her life and work are very ordinary and boring. A call will break her routine and she would have to make a decision that could change her life.

One of the most astonishing and inspiring survival tales of all time. On October 13, 1972, a young rugby team from Montevideo, Uruguay, boarded a plane for a match in Chile—and then vanished into thin air. Two days before Christmas, 16 of the 45 passengers miraculously resurfaced. They had managed to survive for 72 days after their plane crashed on a remote Andean glacier. Thirty-five years later, the survivors returned to the crash site—known as the Valley of Tears—to recount their harrowing story of defiant endurance and indestructible friendship.

The journey of a young woman, who travels to Uruguay in search of what really happened to her family during the darkest years of the Uruguayan dictatorship. Through her father's eyes and her seven aunts and uncles' confessions, she tries to understand why they kept their memories silent for so long. From the French Bask country to South America, she follows their steps and explores their individual struggles, whether these were through union or legal political actions, or through clandestine activities within an urban guerrilla organisation called the Tupamaros. A silence that has left so many wounds yet to be healed.

The tale of five Uruguayan villagers who embark on a journey to see the ocean for the first time. They depart in a broken down freight truck, property of Rodríguez, a taciturn man who loves the sea. Their point of departure is a local bar, and at the last minute, an unknown man from the bar joins their adventure.

Four stories of normal Montevideans like you and me, but with one thing in common: bad luck. One figure, the master of the ceremony, ties stories together commenting on the failures of those four people, as he tries to make his fortune on a slot-machine.

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

This is the story of Luis Batlle Berres, an outstanding political figure, told against the background of life in Uruguay from 1900 to the 1960s. With archive images and music from the period, this documentary pays homage to those years and to a time gone by. There is testimony from Batlle's personal hairdresser, his master of arms, his children and travelling companions in politics, and his adversaries. We witness his meeting with General Juan Domingo Perón, and we see the Graf Zeppelin with its swastika in the sky above Montevideo.

This documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.

Idea approaches the figure of Idea Vilariño, considered as one of the greatest Spanish-language female poets. Her literary work, especially her poetry, is acclaimed by critics and public alike, a rare case in the Uruguayan culture scene. With her own testimony, pictures, poems, songs and archive footage, this documentary offers an in-depth look at the essence of Idea Vilariño's poetic universe in a frank adherence to her literary and human posture. Her childhood, her ghosts, her desolate vision of a godless world, the stormy burden of suffering from her relationship with Juan Carlos Onetti and the commitment assumed with the issues of her time define the various facets of this woman.

In this French-Portuguese film -- directed by Jacques Rivette's screenplay collaborator Christine Laurent -- French vocalist Laure Constant (Laurence Cote) goes to Montevideo, Uruguay, to see her old lover Colossus (Jose Olivera), but when he's a no-show, she becomes involved with several other men, while listening to advice from some older French women who are costume designers. Shown at the 1997 Locarno Film Festival.

Forty million people and countless species of flora and fauna depend on the rivers of the Rio de la Plata basin. But there is a development initiative, the Paraguay-Paraná Waterway Project, which aims to change the natural courses of these rivers and build a “Super Highway River” for the transport of grain and raw materials. If this project is implemented, what will the consequences be for society and for the environment?

The future has arrived. Below, in the tunnels, inhabit the "underground": a tribe that survives on the fringes. Above, amidst decay and smog, a corrupt society is ravaged by a religious cult that kidnaps and murders beautiful teenage models. Detective Gutiérrez, tormented in dreams by the image of a young woman whom he has never met, is hired by a wealthy family to find a missing model. Tangled between these two worlds, Gutiérrez will have to push himself to his breaking point to solve the enigma.

The future has arrived. Below, in the tunnels, inhabit the "underground": a tribe that survives on the fringes. Above, amidst decay and smog, a corrupt society is ravaged by a religious cult that kidnaps and murders beautiful teenage models. Detective Gutiérrez, tormented in dreams by the image of a young woman whom he has never met, is hired by a wealthy family to find a missing model. Tangled between these two worlds, Gutiérrez will have to push himself to his breaking point to solve the enigma.