Juan Calot

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

После нескольких снов о преступлении, сходном с преступлениями Джека Потрошителя, Шерлок Холмс и Доктор Ватсон переезжают в Мадрид, чтобы расследовать случаи смерти некоторых женщин, совершенных в стиле Потрошителя. В Испании Уотсон встречает старого друга, доктора Дельгадо, который знакомит Холмса и Уотсона с высшим обществом города, встречает важных людей, таких как композитор Исаак Альбенис, писатель Бенито Перес Гальдос или молодой журналист Хосе ( Хосито) Алькантара, следящий за убийствами в своих репортажах для La Gaceta, важного выпуска новостей в Мадриде. Другие люди - герцогиня Лима, её племянница Елена (любовный интерес Уотсона) и маркиз Симанкас, предприниматель, связанный с Министерством развития для некоторых строительных проектов в городе. Существует связь между инспектором Валькарчелом, Холмсом, Уотсоном и Алькантарой, чтобы выяснить, действительно ли убийца Джек-Потрошитель.

Фильм рассказывает о попытке государственного переворота в Мадриде 23 февраля 1981 года, когда подполковник Антонио Техеро захватил дворец Конгресса с целью восстановить диктаторский режим в стране.

Revolution in Spain, around the events of 2 May 1808, when the people of Madrid rise up in rebellion against French occupation.

This movie has any coherent plot. It is more the portrait of the lives of different people in the hard years of post-war in Spain (the 40's), and how people manage to survive in a country desolated by the war. Like other films: la colmena or roma (fellini) it shows us lots of characters and some moments of their lives.

Cascabel is the nickname of a 19-year-old girl from a small town who dreams of going to Madrid to try her luck. After the failure of her friend Luz, who has not managed to succeed as a singer in the capital and has to return to town, Cascabel will try to impress a musical representative who is hunting in the vicinity.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Dr. Molinos, a prestigious cardiologist, and his wife Isabel are going through a serious marital crisis. They live in Oviedo, in the oppressive Spain of the 50s, in the company of two maids: Escolástica and Jovita. His only daughter, Maribel, entered a convent of nuns. The unexpected love felt by Dr. Molinos for Julia, a young doctor who is much younger than him, makes him feel alive again.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

In this anthology film, a female actor cheats on her formerly famous husband, a married couple go to extremes, and an antiquarian falls for a young man.

Cesar and Isabel just got married for the Jewish rite, their religion. He is a director of a banking company. She works in a bookstore owned by her mother-in-law. The couple sees their happiness truncated when César discovers financial anomalies in the entity where he works. What were initially charges against some managers, becomes an accusation of embezzlement against César, who is in France to prevent his entry into military service. Go back and appear before the judge to prove his innocence.

Бандит Вилли Паркер ради своей свободы «сдал» подельщиков. И вот, спустя 10 лет, двое наемников: Брэддок и Майрон находят его в Испании. Но они еще должны доставить Паркера по назначению, когда везде уже объявлено о его похищении.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.