This documentary is a effort to recover the memory of The Sacromonte, a suburb of Granada city. Chus Gutiérrez researches the relation between the suburb and the flamenco.
Rafael Amargo is an artist who at the age of 35 feels his muses have abandoned him. Something many artists go through at some given moment. He feels a need to seek inspiration to rekindle the magic of the art fairy. This launches him on a journey that will take him to the source of such kind of inspiration, crossing seas, mountains and many roads until he arrives at the the refuge of the real protagonist of this film. His goal is to hand a letter from Lorca to the muse, Chavela Vargas.
Rafael Amargo is an artist who at the age of 35 feels his muses have abandoned him. Something many artists go through at some given moment. He feels a need to seek inspiration to rekindle the magic of the art fairy. This launches him on a journey that will take him to the source of such kind of inspiration, crossing seas, mountains and many roads until he arrives at the the refuge of the real protagonist of this film. His goal is to hand a letter from Lorca to the muse, Chavela Vargas.
This documentary tells the facts Lorca inspired to write "Blood Wedding", through the eyes of Maria Botto, actress whom Rafael Amargo intends to participate in the girlfriend role in a montage, mixing theater and dance, on the well-known work of Spanish poet and playwright. What initially began as a simple interest of an actress to know and understand her character, ends up becoming a rite of passage in search of the reality of the facts, the crime of Níjar, occurred on July 22, 1928 in a small town Almeria.
Византия, XV век, турецкие войска взяли Константинополь. В качестве мирного договора Великий султан Турции Мухаммед II просит руки Карменсины — дочери византийского императора. Гордый правитель Византии не хочет отдавать в руки врага и дочь, и столицу своей империи. Но выбор неизбежен. Его лучший полководец Тирант, сгорающий от страсти к красавице Карменсине, бросает вызов несметным полчищам турков. Но волнует его не исход великой битвы, а взятие неприступного сердца прекрасной и непорочной дочери императора.
