Fanni Metelius
Рождение : 1987-06-12, Gothenburg, Sweden
Editor
Mika and Tesfay. She: a photographer. He: a musician.
Both up-and-coming. The first love. But an invisible conflict, an unnamable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika’s control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
Mika
Mika and Tesfay. She: a photographer. He: a musician.
Both up-and-coming. The first love. But an invisible conflict, an unnamable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika’s control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
Screenplay
Mika and Tesfay. She: a photographer. He: a musician.
Both up-and-coming. The first love. But an invisible conflict, an unnamable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika’s control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
Director
Mika and Tesfay. She: a photographer. He: a musician.
Both up-and-coming. The first love. But an invisible conflict, an unnamable shame, stirs between their sheets. An insidious power game is in play, with its rules changing like music beats at the parties in Gothenburg, Stockholm and Ibiza. Behind closed doors and beautifying filters lies a raw reality where Mika’s control over her mind and body is at stake. But Mika rips apart relationship prejudices and explores what really makes our pulses quicken in matters of the modern heart.
Cecilia
At a creative firm somewhere in Stockholm, there's a short break in a meeting. Cecilia relates an anecdote from a hen party, about a 'Turk kiosk' that turned out to be closed. Asal, relatively new at the workplace, questions Cecilia's choice of words, and this seriously offends Cecilia. In the end it's Asal who is accused of inappropriate behaviour.
Fanny
Шведская семья отправляется в французские Альпы, чтобы провести там несколько дней, катаясь на лыжах. Погода стоит прекрасная, и горные склоны поражают своей красотой. Но неожиданно во время обеда в ресторане с видом на горный склон семья наблюдает, как сходит лавина, и это событие переворачивает все с ног на голову. Все гости ресторана бросаются бежать в разных направлениях. Мать семьи, Эбба, пытается защитить своих детей и зовет мужа, Томаса. А в это время Томас убегает, спасая себя самого…
Assistant Director
Три девушки в 1980-х в Стокгольме решили создать панк-группу — несмотря на то, что у них не было инструментов, а все вокруг говорили, что панк-рок умер.
Script Supervisor
Три девушки в 1980-х в Стокгольме решили создать панк-группу — несмотря на то, что у них не было инструментов, а все вокруг говорили, что панк-рок умер.
Editor
Gothenburg 1999. Three friends, with Mickan in the lead, are at a party. About friendship, obligations, betrayal and norms.
Producer
Gothenburg 1999. Three friends, with Mickan in the lead, are at a party. About friendship, obligations, betrayal and norms.
Writer
Gothenburg 1999. Three friends, with Mickan in the lead, are at a party. About friendship, obligations, betrayal and norms.
Director
Gothenburg 1999. Three friends, with Mickan in the lead, are at a party. About friendship, obligations, betrayal and norms.
Writer
Minna, 9, starts talking to a teenage girl who passes the playground. Minna has something important to tell.
Director
Minna, 9, starts talking to a teenage girl who passes the playground. Minna has something important to tell.