Guga S. Rocha

Сын хозяина владельца компании такси обладает необычной способностью - с детства он умеет говорить с автомобилями. Повзрослев, он наследует компанию отца, но коррумпированные чиновники вводят в действие новый закон, запрещающий езду на старых машинах. Тогда они с дядей переделывают самое первое такси фирмы и дают ему имя Царь-машина и вместе начинают борьбу за справедливость.

Miami-Cuba is an audiovisual immersion through the Historic Center of João Pessoa, with brief trips to symbolic places along its shore. In particular, the recently verticalized Altiplano district, where his current urban development project seems to be heading. Its cinematographic device is the occupation of an apartment in the 18th floor building, the first skyscraper and initial landmark of modernization in the capital. Work that also configures a type of sentinel in this central region of the city, listed as a historical heritage shortly after its construction. A performative documentary that walks with pre-researched characters and others who were found in the journey of recordings… Expressive people from the city, known and/or anonymous, who ramble about their urban experiences, resisting, ways of living and living, existing .

Во время выборов мэра население бразильского городка делится на "красных" и "синих" - представителей двух основных политических фигур. Засушливость региона говорит о том, что вода - дороже золота, и именно ей пытаются манипулировать кандидаты, чтобы получить заветные голоса. В это время Шику Кайша, выходец из деревни, где всегда были проблемы с водой, присоединяется к кампании своего товарища Жоэла, который представляет себя как альтернативу привычным кандидатам. Однако позднее Шику понимает, что выйти из политической игры не так-то просто.

В провинциальном городке Назаре-да-Мата происходят мистические события. Население озабочено сверхъестественным феноменом. Добропорядочные религиозные жители грешат мыслями о том, что виновниками происходящего является выходцы из племени маракату, которые поклоняются силам природы. Местный священник верит, что способен изгнать дьявола из городка. Но даже его сын является почитателем культуры местных племён. Его набожная жена взывает к нему, чтобы тот обратился к истинной вере.

Pedro is given leave from jail to visit his family in Patos. During his visit, he confronts old ghosts and plans a new direction for his life, while discovering in Pamela, his teenage cousin, the same flame that burned in his heart.

Road movie through Peru, Buenos Aires, São Tomé das Letras, Recife and São Paulo, but with no defined destination. It records the lifestyle of those who live free in the world, nomads in the sub-continent of Latin America.

After committing a crime, the woman leaves her home and family in search of an unknown destination. It is not known who she is, nor the reason for the crime. The mystery about this woman is one of the key points of the narrative. Throughout history she will be called Maria, Rosa and Ana, perhaps one of them will be her real name, perhaps none. She will walk for a whole day, hugging a watermelon and will have brief encounters that will mark her day and her life, facing a world that is sometimes hostile and sometimes delicate, in an attempt to live with the love and disaffection that she brings in her. .

While the country is under the yoke of a military junta and corrupt priests preach the apocalypse, a lawless, eccentric family – a kind of Bonnie & Clyde with kids – trek through the Brazilian interior. Their first aim is to deliver a consignment of weapons to a group of militant nuns who have withdrawn to the jungle, living off the income from their cannabis plantation. As gay , bi, trans, the converts so organized to make revolution.

Brazil. Historically Pernambuco state in the country’s northeast was characterised agriculturally by the sugarcane industry. Today there is a new sector in the economy: various evangelical Christian groups are on the rise. The mantra of the evangelicals, who have gained an ever-increasing influence in Brazilian society over the past years, is the attainment of improvements in one’s personal and economic situations through adherence to an extreme religious practice. In Brazil the evangelicals have established themselves as a growing political power over the past years. They control segments of the media and preach hate and intolerance towards homosexuality and other creeds. HOLY TREMOR focuses on a young generation of priests, producers and singers who hail from a rural area and make gospel music. Wagner and de Burca take into account the environment of the protagonists in order to make ethics, morality and life visible in an aesthetic agglomeration.

Iris lives alone in a spacious apartment by the sea. The green horizon seems to distance it from the city in comfortable isolation. At nightfall, the place hosts known and unknown in a frantic party flow. Iris is the main attraction. But on a hungover morning, she finds a corpse in the living room. As in the distorted reflection of a crooked mirror, Iris feels repeating steps of her childhood friend, Tiara, a medical student who had run over a guy at the exit of a nightclub. After the incident, Tiara plunges into a spiral of self-pity, sentimental emptying and violence. The case is well known in town and Iris does not want to become another ghost in this dark repertoire of stories. In All the colors of the night, reality works as a dimension of imagination, memory and madness.

Cris, aged 12, and her brother are left at the side of the road by their parents. The punishment quickly turns into an even greater challenge. Marcelo Lordello's first feature film Eles voltam, which follows Cris in her attempts to find her way back home, is a modern-day fable through different realities guided by the people that inhabit them.

While a soccer team plays its games, events are experienced inside the houses. In other spaces, clay and the measure of a family's conflict.

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed

In a hotel room, three gorgeous women and a senator with strange habits.