Paolo Brunatto

A tribute to the human and artistic greatness of a genius that continues to surprise us.

From Paolo Brunatto's series "Scheggie Di Utopia".

A documentary on film-maker Bernardo Bertolucci's movie on the icon.

Documentary about the making of Italian film director Bernardo Bertolucci's The Last Emperor.

Documentary about the Italian cities Orte and Sabaudia.

A man receives a telegram that his father is dying, and travels with his wife to his hometown. They discover that the telegram is untrue, and set out to find who sent the message and why.

An experimental film by Paolo Brunatto.

In the distant future, a spaceship inhabited by a group of young descendants of a "subversive" minority who escaped the destruction of the Earth, recovers a capsule in which the hibernating body of a reactionary warmonger has been preserved, who after having caused war and death, it has abandoned the now unlivable Earth. The visual experimentation aimed at the liberation of the gaze is intertwined with psychedelic visions on the one hand and with the orgone theory of Reichian memory on the other.

Experimental film by Paolo Brunatto.

A 1968 italian film by Paolo Brunatto.

In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present aspiration to recover, through the various ways taught by one’s experience, the easiness, directness and ripeness proper to children’s relationships and affective life. This film is maybe a track of this path backwards. – A. L.

In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."

In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."

In 1966, Bene presented The Pink and the Black, his successful theatrical adaptation of Matthew Gregory Lewis’ lurid Gothic novel from 1796. Experimental filmmaker Paolo Brunatto filmed some of the play’s rehearsals in a Rome apartment (also frequented also by the Living Theatre). Bene's artistry is encapsulated in one sentence: “One cannot continue to prostitute the idea of theatre, which stands only for a magical, brutal link with reality."

Backstage short documentary on Carmelo Bene’s theatre works Amleto and Pinocchio.

An investigation into the motives of Spanish workers who migrated to Switzerland in the late 50s, early 60s turns into a sometimes caustic, sometimes melancholic rumination on the land they left behind. A work in between cultures and cinematic modes, a starting point, an opening statement - a clarion call.

An investigation into the motives of Spanish workers who migrated to Switzerland in the late 50s, early 60s turns into a sometimes caustic, sometimes melancholic rumination on the land they left behind. A work in between cultures and cinematic modes, a starting point, an opening statement - a clarion call.

An investigation into the motives of Spanish workers who migrated to Switzerland in the late 50s, early 60s turns into a sometimes caustic, sometimes melancholic rumination on the land they left behind. A work in between cultures and cinematic modes, a starting point, an opening statement - a clarion call.

From Paolo Brunatto's series "Scheggie Di Utopia".