Director
Screenplay
Spain, August 1936, the first days of the Spanish Civil War. During the painful pilgrimage of the Andalusian writer Blas Infante (1885-1936) from prison to prison, always on the verge of death, various images cross his mind: people, dreams, remnants of his past.
Producer
Spain, August 1936, the first days of the Spanish Civil War. During the painful pilgrimage of the Andalusian writer Blas Infante (1885-1936) from prison to prison, always on the verge of death, various images cross his mind: people, dreams, remnants of his past.
Director
Spain, August 1936, the first days of the Spanish Civil War. During the painful pilgrimage of the Andalusian writer Blas Infante (1885-1936) from prison to prison, always on the verge of death, various images cross his mind: people, dreams, remnants of his past.
Writer
A petroleum engineer from Texas travels to an oil operation in Central America where he clashes with his boss, romances two women, and finds himself caught in a guerrilla war.
Director
A petroleum engineer from Texas travels to an oil operation in Central America where he clashes with his boss, romances two women, and finds himself caught in a guerrilla war.
Writer
An international spy is about to unravel an European conspiracy.
Director
An international spy is about to unravel an European conspiracy.
Writer
Director
Writer
Gálvez is a bumbling journalist investigating a real state shady business.
Director
Gálvez is a bumbling journalist investigating a real state shady business.
Production Manager
Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.
Producer
Pedro Liniers, a literature teacher, comes back to Madrid after his wife has just left him. Meanwhile, Aurora Villalba, came to Spain from Argentina, running away from the militaries, she has a special way of living her own way. Pedro wants to get back the job as a teacher through an old friend, Bruno Baena, who is the head master of the school. Aurora starts going to Pedro's classes. Pedro will become "El hombre de moda", very soon.
Writer
Director
Второй человек в компартии Испании — гей. Однажды он оказывается в больнице, и там знакомится с парнем-проституткой. Тот начинает поставлять ему мальчиков, благо есть подпольная квартира для голубых встреч. Поначалу политик довольствуется редкими одноразовыми секс-свиданиями с парнями, но потом встречает парня, в которого всерьез влюбляется. И он отбрасывает осторожность, начинает приводить его в семью…
Статус католического священника запрещает главному герою предаваться сексуальному греху, но его постоянно, даже на исповеди, мучают греховные образы. После неудачной борьбы с мучительными демонами он ищет помощь у старших, которые утверждают, что духовность и молитвы является достаточными, чтобы противостоять «искушениям дьявола». Несмотря на это его ежедневно посещают похотливые сексуальные фантазии...
Del taller #5
A 1977 Spanish drama film directed by Juan Antonio Bardem that won the Golden Prize the 10th Moscow International Film Festival.
Otro
Pamplona (Spain), 1975: Dr. Navarro, a famous doctor in the city, feels strongly attracted to Juana, his nurse, who is also in love with the doctor. Navarro, however, moved by his strong religious convictions (in fact, he is a numerary member of Opus Dei) remains faithful to his wife and tries by all means to prevent that their relations with Juana break through professional boundaries. For the purpose of that, he orders the nurse will sent to another hospital. This will push Juana to take the initiative and provoke the doctor during San Fermines.
