Dave Haslam

Зажигательный трип по истории танцевальной музыки в компании французского рыцаря хауса.

Part concert, part documentary, this film follows the band’s preparations in the re-staging of their acclaimed collaboration So It Goes.. with the artist Liam Gillick and the 12-piece synthesiser orchestra that spectacularly captured the headlines during Manchester International Festival 2017.

Documentary about the selling off of remnants from legendary Manchester nightclub The Hacienda.

Mr. Supernature AKA Marc Cerrone or simply Cerrone has been a pillar of glittery four-to-the-floor disco anthems for nearly 40 years now. If you’re not familiar with the drummer, producer, composer, francofunkateer amongst countless other titles and roles, he’s kind of a god, on par with Giorgio Moroder, Nile Rodgers and the like. Pitchfork has gathered raw concert footage and interview with Rodgers, Bob Sinclar, Dave Haslam and the man himself (who chalks-up his fascination with electric music numbers to seeing Jimi Hendrix perform live in Paris as a teenager) to delve into the mans incalculable contribution to the DNAs of dance floor freakers and pop music alike (sampling years before it was adopted as hip-hop’s hammer and nail) and how he came to be so cherished by the greater funk cannon.

In the final days of the yuppie decade, the summer of ’89 saw a new type of youth rebellion rip through the cultural landscape, with thousands of young people dancing at illegal Acid House parties in fields and aircraft hangars around the M25. Set against the backdrop of ten years of Thatcherism, it was a benign form of revolution, dubbed the Second Summer of Love – all the ravers wanted was the freedom to party… The rave scene, along with the drug Ecstasy, broke down social barriers and even football hooligans were ‘loved up’, solving a problem the government had never managed to crack. But lurid tabloid headlines and cat-and-mouse games with the police eventually turned the dream sour, as the gangster element moved in at the end of the summer.

Carol Morley returns to Manchester, where in the early 1980s, five years of her life were lost in an alcoholic blur. The Alcohol Years is a poetic retrieval of that time, in which rediscovered friends and acquaintances recount tales of her drunken and promiscuous behavior. In Morley’s search for her lost self, conflicting memories and viewpoints weave in and out, revealing a portrait of the city, its pop culture, and the people who lived it.