Ibrahim Shaddad

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.

Sudanese filmmaker, Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in an alien, large city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Insan has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.

Sudanese filmmaker, Ibrahim Shaddad provides a dramatic and powerful account of the trials and tribulations of a Sudanese villager in an alien, large city. Shot entirely without dialogue, the film's innovative use of sound helps tell the story of a shepherd who leaves his wife and herd to settle in a nearby town. Since its premiere at the Alexandria Film Festival, Insan has been shown in a number of festivals in the Middle East and Europe. This film is a prime example of experimental Arab cinema.

Sudan, in the late 1980s. People cross the desert on foot or cover long distances by car and truck. In Al Mahatta, Eltayeb Mahdi shows encounters at one of the large crossroads between the capital Khartoum in the centre of the country and Bur Sudan on the Red Sea.

Two blind men make their way through the desert accompanied by a donkey. Connected by a rope, sometimes the two men decide the way, and sometimes the donkey leads them through the desert.

Two blind men make their way through the desert accompanied by a donkey. Connected by a rope, sometimes the two men decide the way, and sometimes the donkey leads them through the desert.

The short film Jamal (1981) by Ibrahim Shaddad is a report from the life of a camel, most of which plays out in a dreary, small room – a sesame mill.

The short film Jamal (1981) by Ibrahim Shaddad is a report from the life of a camel, most of which plays out in a dreary, small room – a sesame mill.

Ibrahim Shaddad’s graduation film Jagdpartie (1964), which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg (now: Filmuniversität Babelsberg KONRAD WOLF), is a treatise on racism. Shot in a forest in Brandenburg, it uses a Western look to portray the hunt for a Black man.

Ibrahim Shaddad’s graduation film Jagdpartie (1964), which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg (now: Filmuniversität Babelsberg KONRAD WOLF), is a treatise on racism. Shot in a forest in Brandenburg, it uses a Western look to portray the hunt for a Black man.