Alex Viany
Рождение : 1918-11-04, Rio de Janeiro, Rio de Janeiro, Brazil
Смерть : 1992-11-16
Self - Filmmaker (archive footage)
A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.
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When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
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When Daniela, a famous actress, decides to return to her hometown to reconnect with a simpler lifestyle, local politicians decide to exploit her influence in order to get ambiguous deeds done.
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Celebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".
Ele mesmo
Celebrating his 80th birthday, pioneer Brazilian filmmaker Humberto Mauro talks about his life, work, and the project "A Noiva da Cidade".
Documentary about Humberto Mauro, his work and its importance.
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(segment "Um Favelado")
Five segments about the hardships faced by people living in slums on hills in Rio de Janeiro.
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В 1954-1956 гг. по просьбе Всемирной демократической федерации женщин было снято пять короткометражек для художественно-документального фильма «Роза ветров», в которых были показаны истории из жизни женщин в Бразилии, Китае, Франции, Италии и Советском Союзе. В сборник вошли новеллы: «УТРО КАК ДРУГИЕ» (Um matin comme les autres, Франция, 1956, реж. Янник Беллон); «ДЖОВАННА» (Giovanna, Италия, 1956, реж. Джилло Понтекорво); «АНА» (Ana, Бразилия, 1955, реж. Алекс Виани); «ЧЭНЬ ЛИН» (Chen Ling / 陳玲, Китай, 1956, реж. У Ю-ин); «НАДЕЖДА» (СССР, 1954, реж. Сергей Герасимов и Альберто Кавальканти). Художественным руководителем проекта выступил известный голландский режиссёр-документалист Йорис Ивенс.
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A group of migrants from the drought areas of Northeastern of Brazil gets a truck "pau-de-arara" trying to move to São Paulo and have a better life. Along their travel, one of the women delivers a baby on the road. The driver, indeed, intends to carry them to the slave-work in the fields of a powerful "colonel", but the brave Ana faces the foreman of the farm and the driver, and the truck follows to the hired final destination.
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A poor girl must find the money to pay for her blind sister's eyesight operation.
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A poor girl must find the money to pay for her blind sister's eyesight operation.
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Two kids and a living, talkative doll attempt to catch a mulatto boy-like, supernatural one legged figure known as the Saci-Pererê, that enjoys playing pranks to the farms.
