Tanon Sattarujawong

A current of thought unites the three episodes in a coherent way, embodied with few elements, and that makes of space, time, and movement, purely cinematographic modes of expression. Voice is not needed. Yes there are sounds, music, but not human voices, as in primitive cinema. There are faces, slow or fast movements, despair, fatality, a barely glimpsed horror, desire and fear of freedom. There is also love, perhaps as an illusion, rather than as a reality.

Kati is a nine-year-old girl whose mother is suffering from an incurable illness. She must go through steps of happiness and sorrow, bonding and separation, having her hopes fulfilled and losing something she loves. Nevertheless, Kati has learned through these steps that the sorrow from her losses cannot take away her happiness she has received from her mother's love and bonding. This experience allows the little girl to grow up with confidence and courage to live on. She knows who loves her, and who her love ones are.

A timid and sensitive man quits his 9-5 job to pursue his dream of becoming a watercolor painter. However, his neighbors and love will not agree with his new endeavor.

A factory story, in which the process of image-making in negotiated in the slippage between fiction and documentary.

A soundman goes in search of that rarest of sounds - silence.

Martillo, tells the story of Pablo’s sexual awakening, a student at a boys' school where Sister Edwin teaches discipline with an iron hand. At home, Pablo lives in a different world. His father is a plastic surgeon and shamelessly exposes him to his sexual world and that of his lover. His mother is dead and Albina, his nanny, takes care of him like a son. At thirteen, Pablo is confused. When he discovers Sister Edwin's secret, he will leave his innocence behind.

Ray comes to Chaingmai Thailand on a mission to be ordained as a Buddhist monk. When his bag is stolen, Ray's attempt to retrieve his possessions leads him to the discovery of the true meaning of enlightenment.