Ahmed Zaaf

Фильмы

A Summer in La Goulette
Camera Operator
Summer, 1967. La Goulette, the touristic beach of Tunisi, is the site where three nice seventeen-year-old girls live: Gigi, sicilian and catholic; Meriem, Tunisian and Arab; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.
Fatma 75
Director of Photography
A pioneering film from Tunisia, Fatma 75 is the first non-fiction film by a Tunisian woman, a feminist essay film, and the first in a series of powerful films about strong female figures in the country. The film was made in the UN International Women's Year 1975, and has long been recognised as one of the most important films from North Africa, but has never officially been seen before due to censorship.
Yusra
Camera Operator
On the evening of his birthday, the young painter Sadri walked out on his mistress Lisa, and the party planned in his honour. While ambling along the beaches of Carthage in the dead of night, he sees a young woman, as beautiful as she was enigmatic, completely nude, rise up out of the waves. She told him her name was Yusra. From that time on Sadri was to live a story of wild love and spellbinding erotism with the mysterious stranger, abandoning the heartbroken Lisa. While attempting to paint her portrait, Sadri noticed there was a strange resemblance between Yusra and Lisa. An old wise man whom he met in the ruins of Carthage, told him that Yusra was one of the names of Dido, queen of ancient Carthage, who sometimes comes back to earth in the body of a young woman. Sadri tries to solve the mystery of the origins of the beautiful stranger.
«Эдем» и после
Assistant Camera
«Эдем» — это студенческое кафе, где тусуются молодые люди, курят травку, играют на гитарах и сочиняют всякие байки. Так начинается криминальный сюжет, постепенно переходящий в красивый сюрреализм и артхаус. То ли это чей-то криминальный план в этом «Эдеме» или может мастерски спланированный кем то ряд преступлений… В фильмах Ален Роб-Грийе вообще трудно отделить реальность от снов и фантазии, явь от сновидений. На лицо любимые приемы режиссера Ален Роб-Грийе — красивые нагие девушки, восточные напевы, красивые сюрреалистичные сцены