Jimmy Coleman

Crippled by his writer's block, Paul enters into a new, exciting relationship with risk-taking Billy and super-sexy Juliette. As it becomes increasingly tangled, however, he must choose one of them over the other.

Jimmy McGovern's depiction of the mid 90s Liverpool dockers strike. Featuring script contributions from Irvine Welsh and the real dockers themselves

Drama based on the real life events of April 1989, when ninety-six Liverpool supporters were crushed to death during an F.A. Cup Semi-Final match against Nottingham Forest at Sheffield Wednesday's Hillsborough Stadium. This movie follows three Liverpudlian families before the match, during the tragedy and at the ensuing court battles which tried to decide who was to blame and what went wrong.

Father Greg Pilkington is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon hearing the confession of a young girl of her incestuous father, Greg enters an intensely emotional spiritual struggle deciding between choosing morals over religion and one life over another.

Двое британских безработных, Томми (старший по возрасту) и Боб (более молодой), пытаются найти работу или хотя бы средства к существованию, скитаясь по городским и сельским районам Англии…

Стиви приехал в Лондон из Глазго в поисках работы. Он устраивается шабашником на стройку и вкалывает с такими же как и он бедолагами. Его безголосая подружка Сюзан мечтает о карьере певицы и немножко колется наркотиками.

Three boys watch horror films on late night TV and let their imaginations run wild seeing a man in a local cemetery who they believe to be a vampire.

Scully invites his mates to gatecrash his mum's New Year's Eve party.

When teacher Tony Scannell decides he wants to be ordained as a Catholic Priest his decision has wide ranging effects on his family and loved ones.

Ken Loach's first production for ITV, shown under the 'Sunday Night Theatre' strand (originally broadcast 18th July 1971). After a Lifetime is something of a neglected, social realist masterpiece that focuses on two brothers, brought together by the death of their father, reflecting on his life of militancy and political activism. At the time critic Nancy Banks Smith called it ‘brilliantly funny, and moving with a sort of subterranean rage’. Smith himself plays the older brother with a brilliant, raw emotion.

Ken Loach production for The Wednesday Play; a fictionalised account of the Pilkingtons Glass strike in St Helens, 1970.