Matthew B. Moore

Bella is a girl that can't seem to fit in - but also doesn't want to. In an attempt to connect with her shadowy past, she discovers the most unusual type of friendship.

Tommy dos Santos wasn't born a psychopath, nor was he made into a sociopath. He was something entirely new, and he was walking his own path - a path that will run red with the blood of the foulest most fiendishly frightening creatures ever conceived by man! No longer do they have the starring role in our nightmares, it is now the clowns who are the prey, running for their lives from a killer who won't stop until every single one of them is dead. As Tommy's body count rises, he finds himself getting closer and closer to what he thought was a ghost, the once great clown king known as "Giggles," and wonders - if laughter can't die, how about Giggles?

Belladonna is a monster film based around the "Lamia" in ancient Greek Mythology. With tones of Giallo films of the past, Belladonna tells a story of a once child-eating snake, who has found a way to stay hidden in the modern world.

Belladonna is a monster film based around the "Lamia" in ancient Greek Mythology. With tones of Giallo films of the past, Belladonna tells a story of a once child-eating snake, who has found a way to stay hidden in the modern world.

После смерти жены учёный полностью сошёл с ума. Он не дал похоронить тело жены а стал ставить зловещие эксперименты, чтобы воскресить свою жену. Некоторых успехов он однако достиг, чем заполонил себя ходячими мертвецами, сколько он не пытался из мёртвого уже не сделать живого, а вот мертвые могут навредить живым. И всё это безумие учёного прикрывала его юная дочь, которая всеми ей доступными методами пыталась срыть то, что делал её безумный отец, постепенно девочка сама окунулась в этот безумный мир мёртвых.

После смерти жены учёный полностью сошёл с ума. Он не дал похоронить тело жены а стал ставить зловещие эксперименты, чтобы воскресить свою жену. Некоторых успехов он однако достиг, чем заполонил себя ходячими мертвецами, сколько он не пытался из мёртвого уже не сделать живого, а вот мертвые могут навредить живым. И всё это безумие учёного прикрывала его юная дочь, которая всеми ей доступными методами пыталась срыть то, что делал её безумный отец, постепенно девочка сама окунулась в этот безумный мир мёртвых.

In the dystopian future of 2052, mankind has devolved into two extremes of "have's" and "have not's". Those with the means have become so decadent that, if they wish, they have the power to hunt and kill another human being. Those without the means have become the hunted. The Brotherhood of Mars Corporation controls the battlefield where the hunts are staged. When the Brotherhood casts out one of their own, Morgan, into the dangerous wilderness, he must quickly adapt and join a struggling tribe of survivors. There he meets Naomi, a beautiful and resourceful young woman who's deadly with her bow. Just when they learn to trust each other, the Brotherhood of Mars have sent out their most bloodthirsty hunters to track them down. Let the games begin!

In the dystopian future of 2052, mankind has devolved into two extremes of "have's" and "have not's". Those with the means have become so decadent that, if they wish, they have the power to hunt and kill another human being. Those without the means have become the hunted. The Brotherhood of Mars Corporation controls the battlefield where the hunts are staged. When the Brotherhood casts out one of their own, Morgan, into the dangerous wilderness, he must quickly adapt and join a struggling tribe of survivors. There he meets Naomi, a beautiful and resourceful young woman who's deadly with her bow. Just when they learn to trust each other, the Brotherhood of Mars have sent out their most bloodthirsty hunters to track them down. Let the games begin!