Christopher Seeto

Фильмы

Два, три, демон, приди!
Co-Producer
Древний ритуал, призывающий в наш мир заблудшие души, превратился в экзотическое развлечение на вечеринке. Правила просты: произнести заклятие перед мумифицированной рукой и пустить призрака в своё тело. Главное – уложиться в минуту. Стоит нарушить ритуал, и портал уже не закрыть. Сознание участников наводнят кошмары, и живые позавидуют мертвым...
Soulmate
Executive Producer
Thirteen-year-old Mila Malinov wakes up alone in the back of a cab. Arriving at the densely packed apartment block of zone 21, she makes her way to her room as the watchful eye of the global government hovers above in the form of monitor drones. Across the courtyard, another set of eyes watches her, a protective Mother. Her room is small, cubed, and very simplistic. In her ear, a voice keeps her company. Her father, Darko Malinov checks in. He speaks to her through an earpiece making sure she’s okay. The next day, Mila visits the local bartering station that’s at the end of the long alley that hugs her apartment block. Currency in this world has resorted back to bartering, swapping items for other items. Mila finds a group of interested buyers and swaps a capacitor for some food, all while her father guides her. That night, she shares a meal with her father via voice, wishing that he was there instead. As Mila sleeps, a figure sneaks up to her door making Mila nervous.
The Flood
Line Producer
When Jarah loses her husband, her child, her land and her innocence she embarks on a brutal journey of of retribution and revenge that transforms into redemption and reconciliation.
We Have Decided Not to Die
Producer
Three wordless rituals: birth, between, and rebirth. A woman lies at the bottom of a swimming pool, alone. The camera pans her body. She starts to rise, then sinks; convulsions follow and then she rises and hovers above the pool. A shirtless man in white pants stands in an asphalt lot, a car visible on either side. Convulsions begin. The cars back up, still facing him and each other. They pause; they race toward him. He leaps. A youth, shirtless and in white shorts, stands in front of a tall building. Doors open, he enters and walks to an elevator. Convulsions strike him as he rides to a top floor, exits the elevator, pauses, and runs toward a window. He crashes through.