Cristiano Maciel

The documentary offers an overview on the transformations in the Brazilian socioeconomic process from the 30s to present day, with a group of economists and historians giving their commentary about the topics.

A young student (Mel Lisboa), a literature professor (Felipe Camargo) and a wounded warrior who is always with his face covered (Sergio Marone) are three militants, who are confined in an apartment in Belo Horizonte. There they confront their emotional and political options, involving loyalty, betrayal and desire.

Documentary about Brazilian filmmaker Glauber Rocha, one of the most important names in the Cinema Novo, with interviews with some of his friends and colleagues.

Apolônio Brasil was a pianist at a famous nightclub in Rio de Janeiro, from the 1950s until his untimely death. Quite a character, Apolônio was loved by women and idolized by his audience and friends. His contagious joy attracts the attention of American scientist Dr. Boris Lewitsky, who comes to Brazil in order to interview Apolônio's close friends and make them a most unusual offer concerning the remains of the late musician.

Rich and spoiled kid, frustrated for not being chosen to join the soccer lessons his idol Zico was going to give, asks his father to clone the player. But a small girl smells something fishy going on and asks her friends to help save the Brazilian soccer star.

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

"(...) the influence that carnival has on the daily life of the hill, following the manufacture of the carnivals of 1981 and 1982, interviewing several residents who tell the story of more than half a century of the favela's existence and emphasizing its community importance and cultural, to the sound of the most beautiful sambas composed on Mangueira. " (FGR / 11)

Он – бизнесмен на грани банкротства. Она – секретарша в мелкой компании. Еще вчера они считали, что как бы ни складывалась их жизнь, главное – что в ней есть любовь. А сегодня они этой любви лишились. От Паулу уходит женщина, с которой он прожил предыдущие три года, а Мария получила окончательный отказ от женатого мужчины, которого любила несмотря ни на что. Их мимолетная встреча закончилась необязательным обменом телефонами, но Мария позвонила, а Паулу ответил. И вот теперь они вместе в роскошном пустом пентхаусе пытаются найти ответ на бесконечно сложный вопрос: «Что такое любовь?»…