Self
A unique chance to explore Pier Paolo Pasolini's youth through the voice and the body of his direct cousin, writer and poet Nico Naldini.
Greek Theo Angelopoulos traveling from Athens to Ostia, the Roman beach where Pasolini was killed. Far from there, in a Spanish train station, Víctor Erice wanders in an interview about the film resistance. And in Italy, Tonino Guerra, Ninetto Davoli and Nico Naldini lend his voice to the missing Passolini to close a historic triangle on film and solitude.
Interviewee
Documentary about the making of Pier Paolo Pasolini's The Canterbury Tales (1972), and particularly focusing on the many edits and cut scenes that were made before the film's release.
Himself
Publicist
Экранизируя роман маркиза де Сада, Пазолини переносит действие в 1944-45-е годы, в фашистскую «республику Сало» на севере Италии, где группа лиц из высшего общества во главе с принцем унижает, издевается, мучает, пытает юношей и девушек, собранных для услаждения извращённой элиты, чувствующей свою погибель. Четыре месяца длится эта экзекуция. Для взрослых это последняя возможность удовлетворить свои низменные инстинкты, для молодых людей — расплата за свою юность и желание жить.
Director
Based on the montage of excerpts from the Luce newsreels, from the March on Rome to the entry into the war, with commentary by Giorgio Bassani, Fascista favors the "cut out and mystified, ridiculous, sinister" relationship between Mussolini and his cheering subjects, underlining the importance of the oratory style of the Duce in his relationship with the masses.
