Juan Antonio Moreno Amador

When award-winning filmmaker Juan Antonio Moreno Amador learned that Seville's last brothel was being repurposed into a refugee reception centre, he moved in with his cameras.

When award-winning filmmaker Juan Antonio Moreno Amador learned that Seville's last brothel was being repurposed into a refugee reception centre, he moved in with his cameras.

When award-winning filmmaker Juan Antonio Moreno Amador learned that Seville's last brothel was being repurposed into a refugee reception centre, he moved in with his cameras.

Destiny doesn't want to go back and leaves with the help of his friend Paulina while everyone is asleep. In the middle of the night, they escape from fear until they find their shelter.

A revealing story about Saharawi refugees, their identity, and their exile of more than 40 years in the Algerian desert where they have built up a State based on universal health care and education.

Young Sadaf Rahimi is the Afghanistan’s best boxer, but she must face her country’s traditions, fear and her own destiny to be a free woman. A struggle that will turn her into a point of reference for many Afghan women.

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

Mama Wata is a goddess that provides Sierra Leone with riches. The waters of Goderich Bay, in Freetown, have been blessed with an abundance of fish. Idrissa, a local fisherman, and his neighbors know that the goddess looks over them; however, they must still battle against international commercial fishing boats, illegal fishing and drug traffickers. Sierra Leone, ranked as one of the world's poorest countries by the UN, lacks an education system, health facilities and suffers from staggering unemployment. The Children of Mama Wata portrays the dignity and faith and the day-to-day lives of the inhabitants of Goderich.