Fred Sassebo

When Italian Vincenzo comes to Norway to open a restaurant, Norwegian drinking habits and alcohol politics are seen with southern European eyes. Vincenzo dies trying, and his brother seeks revenge.

In a dystopian future set in the northern part of Norway, a big corporation have stripped the sea of fish leaving locals without food and income.

Ellen and Rolf met 17 years ago, and since then has spent every day and night together. Still together, life shifts between quarrels and passionate love.

"The Silent Majority" - Young Øystein lives in a small apartment outside Oslo, where every day is filled with everyday habits, and he is constantly looking for someone to marry. Then he meets Britt, which hates conformity and traditional values.

Lasse & Geir, two suburban boys in their late teens, kick up a row on the bus into town, making the driver call the police. They get arrested and have to spend the night in jail. The next morning they are sent home - Geir to his alcoholic mother, Lasse to his disillusioned and abusive father.

Lasse & Geir, two suburban boys in their late teens, kick up a row on the bus into town, making the driver call the police. They get arrested and have to spend the night in jail. The next morning they are sent home - Geir to his alcoholic mother, Lasse to his disillusioned and abusive father.

Lasse & Geir, two suburban boys in their late teens, kick up a row on the bus into town, making the driver call the police. They get arrested and have to spend the night in jail. The next morning they are sent home - Geir to his alcoholic mother, Lasse to his disillusioned and abusive father.

«What do you really want», Jan shouts to Reidun. They are a young couple, but their relationship is brittle and seems to be dissolving due to both internal and external pressures. On the weekend they invite another couple for dinner, but the companionship and fun are gradually destroyed by quarrels and infidelity. Still, the two women finally seem to find understanding and solidarity in eachother. Week-End depicts how the political also permeate the private, in a way both original and typical of its age. The tension between old and new gender roles is one cause of the problems in the relationship between Reidun and Jan, but the political is just one aspect in a film that also deals with emotions, relations and identity. Week-End is rooted in 1970s social modernism, mixing modernist storytelling strategies with a political sub-theme of female identity and solidarity

Together with colleagues Jan goes to a seminar on the Canary Islands. Already on the first day we starts an erotic relation to a stewardess, and during a swim with his boss his life changes dramatically.

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.

Viveca is 31, divorced, and has a son of 6 years. She and her friend Aud have left the hectic everyday life and moved in with bohemians and artists. We follow these two women for five days, as they come in contact with many different people.

A family must move from a national romantic farm to the society down the valley.

The film is composed of a series of episodes about how a twenty-year-old needs to let go.

The film is composed of a series of episodes about how a twenty-year-old needs to let go.

The film is composed of a series of episodes about how a twenty-year-old needs to let go.

The film is composed of a series of episodes about how a twenty-year-old needs to let go.