Writer
Director
Writer
Новоиспеченный муж сбегает от жены сразу после церемонии в церкви. Но это не повод отменять праздник. Приглашенные рассказывают свои истории несчастной любви. Каждому есть, что вспомнить о неверности, неожиданных неприятностях и перипетиях супружеской жизни.
Director
Новоиспеченный муж сбегает от жены сразу после церемонии в церкви. Но это не повод отменять праздник. Приглашенные рассказывают свои истории несчастной любви. Каждому есть, что вспомнить о неверности, неожиданных неприятностях и перипетиях супружеской жизни.
Writer
In a small Parisian building, a diverse group of people crosses paths, likes and observes each other, without always seeing each other.
Director
In a small Parisian building, a diverse group of people crosses paths, likes and observes each other, without always seeing each other.
Adaptation
Пруденс и Белизер Бересфорд решают заслуженно отдохнуть, но когда исчезает чрезвычайно богатая русская наследница, Пруденс не сопротивляется зову опасности... Белизер вполне обязан следовать за своей бурной женой. Расследование ведёт их по следам загадочного доктора, который хранит секрет вечной молодости... Третья часть приключений знаменитой пары Бересфорд, созданная Агатой Кристи, это новое приключение режиссера Паскаля Томаса в интерпретации Кэтрин Фрот и Андре Дюссолье , смешивает все компоненты детективной комедии, часто едкой, иногда пугающей и всегда весёлой!
Dialogue
Пруденс и Белизер Бересфорд решают заслуженно отдохнуть, но когда исчезает чрезвычайно богатая русская наследница, Пруденс не сопротивляется зову опасности... Белизер вполне обязан следовать за своей бурной женой. Расследование ведёт их по следам загадочного доктора, который хранит секрет вечной молодости... Третья часть приключений знаменитой пары Бересфорд, созданная Агатой Кристи, это новое приключение режиссера Паскаля Томаса в интерпретации Кэтрин Фрот и Андре Дюссолье , смешивает все компоненты детективной комедии, часто едкой, иногда пугающей и всегда весёлой!
Scenario Writer
Пруденс и Белизер Бересфорд решают заслуженно отдохнуть, но когда исчезает чрезвычайно богатая русская наследница, Пруденс не сопротивляется зову опасности... Белизер вполне обязан следовать за своей бурной женой. Расследование ведёт их по следам загадочного доктора, который хранит секрет вечной молодости... Третья часть приключений знаменитой пары Бересфорд, созданная Агатой Кристи, это новое приключение режиссера Паскаля Томаса в интерпретации Кэтрин Фрот и Андре Дюссолье , смешивает все компоненты детективной комедии, часто едкой, иногда пугающей и всегда весёлой!
Director
Пруденс и Белизер Бересфорд решают заслуженно отдохнуть, но когда исчезает чрезвычайно богатая русская наследница, Пруденс не сопротивляется зову опасности... Белизер вполне обязан следовать за своей бурной женой. Расследование ведёт их по следам загадочного доктора, который хранит секрет вечной молодости... Третья часть приключений знаменитой пары Бересфорд, созданная Агатой Кристи, это новое приключение режиссера Паскаля Томаса в интерпретации Кэтрин Фрот и Андре Дюссолье , смешивает все компоненты детективной комедии, часто едкой, иногда пугающей и всегда весёлой!
Writer
Dorothée and Nicolas fall in love at first sight. Together, they’re going to live a very beautiful love story... they know it. But life always finds a way to compromise the best resolutions, the best script, and nothing will happen as expected. Nicolas and Dorothée will be carried into a stormy comedy as crazy as their passion for each other…
Director
Dorothée and Nicolas fall in love at first sight. Together, they’re going to live a very beautiful love story... they know it. But life always finds a way to compromise the best resolutions, the best script, and nothing will happen as expected. Nicolas and Dorothée will be carried into a stormy comedy as crazy as their passion for each other…
Writer
Белизер и Пруденс Бересфорд отдыхают в своём маленьком замке с видом на озеро Бурже. Белизер счастлив, но Пруденс скучает. Она мечтает о доброй фее, которая будет приводить их в приключения, полные загадок... Эта добрая фея предстаёт перед ней в облике её любимой тёти Бабетты, которая присутствует при ужасном преступлении из окна поезда. Несмотря на скептицизм Белизера, Пруденс отправляется на поиски мертвеца. Она устраивается кухаркой в тревожном замке, где собралась очень любопытная семья, состоящая из вспыльчивого старика и его четверых детей, и где аутентичные саркофаги скрывают странные сюрпризы.
Director
Белизер и Пруденс Бересфорд отдыхают в своём маленьком замке с видом на озеро Бурже. Белизер счастлив, но Пруденс скучает. Она мечтает о доброй фее, которая будет приводить их в приключения, полные загадок... Эта добрая фея предстаёт перед ней в облике её любимой тёти Бабетты, которая присутствует при ужасном преступлении из окна поезда. Несмотря на скептицизм Белизера, Пруденс отправляется на поиски мертвеца. Она устраивается кухаркой в тревожном замке, где собралась очень любопытная семья, состоящая из вспыльчивого старика и его четверых детей, и где аутентичные саркофаги скрывают странные сюрпризы.
Himself
This documentary brings together a collection of remarkable interview footage with Douglas Sirk filmed in 1982 for the French TV show 'Cinéma cinémas', as well as material from the finished programme.
Director
This documentary brings together a collection of remarkable interview footage with Douglas Sirk filmed in 1982 for the French TV show 'Cinéma cinémas', as well as material from the finished programme.
Director
Inviting the ex-wife to a family reunion when the none-too-secure new wife will be there hardly seems to be a recipe for success, and true to form, bodies have begun to stack up by the end of this cinematic update of a classic Agatha Christie tale. Luckily for the extended clan gathered at a sumptuous waterfront estate in Northern France, Inspector Martin Bataille is on hand to find out not only "who done it" but why.
Writer
Thanks to the law of 1948 and to her grandmother, the nominal tenant who is always absent, Francesca Cigalone and all her tribe (thoughtless husband, orphan sister, self-centered film maker and his mistress of the day, eccentric granny, friends, friends of the friends, daughter...) live on a shoestring in a very big apartment. Which is not to the liking of supercilious bitchy owner Charlotte Falingard, who has been intent for some time on having them evicted for obvious speculative reasons. But suing Francesca is no bed of roses. The lady is tenacious. Moreover she once studied law... Written by Guy Bellinger
Director
Thanks to the law of 1948 and to her grandmother, the nominal tenant who is always absent, Francesca Cigalone and all her tribe (thoughtless husband, orphan sister, self-centered film maker and his mistress of the day, eccentric granny, friends, friends of the friends, daughter...) live on a shoestring in a very big apartment. Which is not to the liking of supercilious bitchy owner Charlotte Falingard, who has been intent for some time on having them evicted for obvious speculative reasons. But suing Francesca is no bed of roses. The lady is tenacious. Moreover she once studied law... Written by Guy Bellinger
Writer
Посещение родственницы в доме престарелых оборачивается для почтенной пары Бересфордов неожиданными и опасными приключениями. Из приюта пропадает странная старушка, твердящая о зловещих преступлениях, и неугомонная Таппенс Бересфорд отправляется на ее поиски.
Director
Посещение родственницы в доме престарелых оборачивается для почтенной пары Бересфордов неожиданными и опасными приключениями. Из приюта пропадает странная старушка, твердящая о зловещих преступлениях, и неугомонная Таппенс Бересфорд отправляется на ее поиски.
Thanks
La Première éducation sentimentale (the first version of L'Éducation sentimentale), re-adapting the themes of first love, the intoxication of desire, and failed ideological revolution (that culminated in the Revolution of 1848) to the May 68 generation through a chronicle of the parallel lives of a pair of childhood friends, the pragmatic Henri and idealistic Jules as they leave their bucolic, rural hometown to separately pursue their baccalaureate - and real world - educations.
Director
Wednesday is the day when children are not in school and stay at home. It is also the day when the parents are not there. In Nantes, in the spring, twenty or so carefree and boisterous kids between the ages of three and eleven take advantage of this day to make their parents go crazy. Emma, 9 years old and naturally romantic, decides that Roland, the little boy she met in the street, is unhappy and persuades her friends to adopt him. Victoria spends the day with Martin Socoa, an often distant father whom she learns to love. There are also Muriel, Bruno, Colette and Henri who take off and create panic in their parents' home, while Marylin lives the founding drama of her childhood with a mother of an unreal sweetness. Throughout these little stories, we realize that the world of children has its own logic, totally different from that of adults.
Director
Pierrette is a woman who describes herself as having "opted for the temporary on a permanent basis." After 15 years of living the good life in Switzerland, Pierrette one day packs her bags full of fashionable outfits and returns to her native Paris with no idea of what she'll do. Pierette, however, leads a charmed life; while her son is forced to work the graveyard shift at a factory due to poor job prospects, she's able to find a job right away at a high school. Pierrette soon reintroduces herself to her 23-year-old daughter and one-time best friend, trying to use her charm to skate over years of neglect. She just as suddenly finds a new beau, Ackerman, and starts helping him out with his antique business. However, what would seem like a simple matter -- buying a clock from an elderly woman -- soon turns out to be very complicated and fraught with consequence.
Critique de théâtre
Блестящий поэт, удачливый бизнесмен, гениальный изобретатель, искусный заговорщик, пламенный революционер, пылкий любовник, любящий отец. Все это – Пьер-Огюстен Кароне де Бомарше, прославленный автор «Севильского цирюльника» и «Женитьбы Фигаро». Бросив вызов могущественному принцу де Конти, Бомарше попадает под арест. На суде его обвиняют в присвоении дворянского титула и приговаривают к лишению всех прав и привилегий. Но король Людовик XVI дарует прощение в обмен на согласие выполнить деликатную шпионскую миссию…
Director
To a non-French speaker, the word La Pagaille looks charming, elegant, even tidy. However, it means "a mess," and a mess is just what the happily divorced Martin gets into when he and his ex-wife Brigitte, the mother of his children, rekindle their long-dormant relationship and announce that they intend to move back in together. Not only do the children find this whole thing confusing, but the husband's and the wife's lovers are equally befuddled. Add to that the need for Martin to meet Brigitte's lover and vice-versa, and you have the beginnings of a mess. When it begins to seem to Brigitte's former lover that he has offended the Muslims with a book he translated and he is slated for death, the whole thing grows yet more complicated. In this comedy, this list only scratches the surface of the messes these people must confront.
Screenplay
In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...
Director
In the summer holidays, a group of women stay behind in Paris whilst their husbands and children take a vacation on the sunny Island of Ré. The women – wives, frustrated spinsters and adolescents – profit from their new-found freedom to sort out their love lives and the men indulge their earthy passions with no less enthusiasm. Only the children seems capable of rising above this infantile summer madness...
Director
In a train compartment, 6 people who do not know each other tell the story of their troubles in love. Only one of those seems to be a positive one.
Director
The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.
Director
Director
Two adults play babies and wild antics ensue.
Producer
Hubert has a mistress, Papinou would like to seduce her. To do so, he convinces Hubert to go abroad. After years he became editor-in-chief, while Papinou did not succeed.
Writer
Hubert has a mistress, Papinou would like to seduce her. To do so, he convinces Hubert to go abroad. After years he became editor-in-chief, while Papinou did not succeed.
Director
Hubert has a mistress, Papinou would like to seduce her. To do so, he convinces Hubert to go abroad. After years he became editor-in-chief, while Papinou did not succeed.
Writer
William, together with his family, joins his childhood friend and his family in a crowded country house for a summer vacation. As a result, he has had to leave behind his mistress and all the other lovely women he enjoys trying to seduce. Stranded in the isolated rural cottage with his friend's family, he attempts to bed every female member of that clan. Unsuccessful and extremely frustrated, he is determined to have some fun on his vacation and abandons the whole group in pursuit of a trio of hippyish females who flirted with him earlier.
Director
William, together with his family, joins his childhood friend and his family in a crowded country house for a summer vacation. As a result, he has had to leave behind his mistress and all the other lovely women he enjoys trying to seduce. Stranded in the isolated rural cottage with his friend's family, he attempts to bed every female member of that clan. Unsuccessful and extremely frustrated, he is determined to have some fun on his vacation and abandons the whole group in pursuit of a trio of hippyish females who flirted with him earlier.
Scenario Writer
Annie, a 16 years old girl, loves Frédéric who is away doing his national service. During her holidays in the country, she meets Alexandre. He's older, owns a car and she experiences the "first time" with him. Back during a leave, Frédéric finds his sweetheart in the arms of this clumsy oaf and eventually hits it off with him.
Adaptation
Annie, a 16 years old girl, loves Frédéric who is away doing his national service. During her holidays in the country, she meets Alexandre. He's older, owns a car and she experiences the "first time" with him. Back during a leave, Frédéric finds his sweetheart in the arms of this clumsy oaf and eventually hits it off with him.
Dialogue
Annie, a 16 years old girl, loves Frédéric who is away doing his national service. During her holidays in the country, she meets Alexandre. He's older, owns a car and she experiences the "first time" with him. Back during a leave, Frédéric finds his sweetheart in the arms of this clumsy oaf and eventually hits it off with him.
Director
Annie, a 16 years old girl, loves Frédéric who is away doing his national service. During her holidays in the country, she meets Alexandre. He's older, owns a car and she experiences the "first time" with him. Back during a leave, Frédéric finds his sweetheart in the arms of this clumsy oaf and eventually hits it off with him.
Director
