Jorunn Myklebust Syversen
Writer
Умница, красавица, гордость семьи и церкви, Мирьям, всегда и во всём была первой, но лишь одно неудачное выступление на очередных соревнованиях по танцам приводит её семью к выводу, что проблема кроется в недостатке веры. Это заставляет девушку искать радикальные пути решения проблемы.
Director
Умница, красавица, гордость семьи и церкви, Мирьям, всегда и во всём была первой, но лишь одно неудачное выступление на очередных соревнованиях по танцам приводит её семью к выводу, что проблема кроется в недостатке веры. Это заставляет девушку искать радикальные пути решения проблемы.
Editor
Anders moves from the city to a quiet small farm that belonged to his deceased parents and spends his days out in the forest, aimlessly chopping down trees. His only desire is to be out in nature, and to lose himself in the physical work. His attempt to escape is soon interrupted by the constant involvement of his pushy relatives who want to tell him what to do and how to do it. Soon it becomes clear that Anders has just traded in one claustrophobic existence for another.
Writer
Anders moves from the city to a quiet small farm that belonged to his deceased parents and spends his days out in the forest, aimlessly chopping down trees. His only desire is to be out in nature, and to lose himself in the physical work. His attempt to escape is soon interrupted by the constant involvement of his pushy relatives who want to tell him what to do and how to do it. Soon it becomes clear that Anders has just traded in one claustrophobic existence for another.
Director
Anders moves from the city to a quiet small farm that belonged to his deceased parents and spends his days out in the forest, aimlessly chopping down trees. His only desire is to be out in nature, and to lose himself in the physical work. His attempt to escape is soon interrupted by the constant involvement of his pushy relatives who want to tell him what to do and how to do it. Soon it becomes clear that Anders has just traded in one claustrophobic existence for another.
Director
Violent Sorrow Seems a Modern Ecstasy no. 2 is a video art trilogy that consists of staged and aestheticised scenes of violence without dialogue. The action takes place in three decadent environments during different decades of the 20th century.