Noa Aharoni

Фильмы

Not a Word of Truth
Writer
Dr. Rudy was an iconic psycho-guru and founder of “The Rudy Psychoanalytic Institute” – the largest in Israel during the 70’s. His controversial therapy methods forced him to fight for his reputation and the institute’s survival. His demise raises questions regarding abuse of power and moral boundaries.
Not a Word of Truth
Director
Dr. Rudy was an iconic psycho-guru and founder of “The Rudy Psychoanalytic Institute” – the largest in Israel during the 70’s. His controversial therapy methods forced him to fight for his reputation and the institute’s survival. His demise raises questions regarding abuse of power and moral boundaries.
By Summer's End
Writer
It is the summer of '78, a month to go until the Camp David peace accords, but Michal is not worried by world affairs. Her 7-year-old daughter Maya has yet to learn how to read and write and her teacher wants to hold her back a year. Michal rises to the occasion and vows that by the end of the summer Maya will read, write and move on to the next grade. But this summer is set to be full of surprises for the family. Michal's father, Chaim, who's been missing for 20 years, suddenly returns, and brings with him the family's dark past and hidden secrets. By summer's end Michal and her sister Naomi will have to deal with the past they have tried so hard to bury and the painful - yet liberating - process will eventually lead them onto a new path.
By Summer's End
Director
It is the summer of '78, a month to go until the Camp David peace accords, but Michal is not worried by world affairs. Her 7-year-old daughter Maya has yet to learn how to read and write and her teacher wants to hold her back a year. Michal rises to the occasion and vows that by the end of the summer Maya will read, write and move on to the next grade. But this summer is set to be full of surprises for the family. Michal's father, Chaim, who's been missing for 20 years, suddenly returns, and brings with him the family's dark past and hidden secrets. By summer's end Michal and her sister Naomi will have to deal with the past they have tried so hard to bury and the painful - yet liberating - process will eventually lead them onto a new path.
S'temi
Screenplay
Roni is ashamed of her Tourette Syndrome. After acting violently towards a classmate, she’s suspended from school. Alone at home, the suffering from her tics drives her to extreme action.
S'temi
Director
Roni is ashamed of her Tourette Syndrome. After acting violently towards a classmate, she’s suspended from school. Alone at home, the suffering from her tics drives her to extreme action.
Shadows
Writer
The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?
Shadows
Director
The stories of Eitan, Yigal and Miri show how long the past can cast its shadows. Their Holocaust-surviving parents were abused by the Nazis, then became abusers themselves—their fear and grief transformed into aggression and anger towards their children. For the first time on-screen, children of Holocaust survivors talk openly about the mental and physical suffering they experienced. Stories of abuse contrast with cheerful-looking black-and-white photos of the families. Even the grandchildren appear to be suffering from their parents’ burden of sorrow and pain. The children's attempt to talk about the past, as with Eitan and his ailing mother and Miri with her son, seem futile. The palpable inability to make contact is almost unbearable. Shadows asks the unavoidable questions: how long will the Holocaust continue to exert its evil influence on future generations, and how can the demons of the past be exorcised?