Sasha Waters Freyer

Рождение : , Brooklyn, NY

История

Sasha Waters Freyer is a filmmaker and Chair of the Department of Photography & Film at Virginia Commonwealth University.

Фильмы

Fragile
Director
Garry Winogrand: All Things Are Photographable
Editor
Freyer Artist. Iconoclast. Man of his time. All Things are Photographable is a revealing documentary portrait of the life and work of acclaimed photographer Garry Winogrand – the epic storyteller in pictures of America across three turbulent decades.
Garry Winogrand: All Things Are Photographable
Producer
Freyer Artist. Iconoclast. Man of his time. All Things are Photographable is a revealing documentary portrait of the life and work of acclaimed photographer Garry Winogrand – the epic storyteller in pictures of America across three turbulent decades.
Garry Winogrand: All Things Are Photographable
Director
Freyer Artist. Iconoclast. Man of his time. All Things are Photographable is a revealing documentary portrait of the life and work of acclaimed photographer Garry Winogrand – the epic storyteller in pictures of America across three turbulent decades.
Respiration
Director
An experimental, feminist collage of river naiads and backyard deities; nothing noticed is lonely. From inspiration to expiration, breathing is the only work to be enacted now.
A Partial History of the Natural World, 1965
Producer
A meditative exploration of the violent struggle for independence in southeast Asia and butterfly metamorphosis. Framed by excerpts from Sylvia Plath’s poem “Tulips,” A Partial History of the Natural World, 1965 reminds us that comfort is a privilege and denial of the suffering of others is not an option. Scored by a 1965 performance of Bartok’s “Solo for Violin 3.”
A Partial History of the Natural World, 1965
Writer
A meditative exploration of the violent struggle for independence in southeast Asia and butterfly metamorphosis. Framed by excerpts from Sylvia Plath’s poem “Tulips,” A Partial History of the Natural World, 1965 reminds us that comfort is a privilege and denial of the suffering of others is not an option. Scored by a 1965 performance of Bartok’s “Solo for Violin 3.”
A Partial History of the Natural World, 1965
Director
A meditative exploration of the violent struggle for independence in southeast Asia and butterfly metamorphosis. Framed by excerpts from Sylvia Plath’s poem “Tulips,” A Partial History of the Natural World, 1965 reminds us that comfort is a privilege and denial of the suffering of others is not an option. Scored by a 1965 performance of Bartok’s “Solo for Violin 3.”
Our Summer Made Her Light Escape
Director
A wordless portrait of interiority, maternal ambivalence and the passage of time.
An Incomplete History of the Travelogue, 1925
Director
A lyrical essay film that captures the spirit of excess and adventure embodied by The Great Gatsby (published in 1925) in fragments from home movies of a wealthy American family on a Grand Tour of Europe and North Africa.
You Can See the Sun in Late December
Director
Beautiful emptiness, anguish and calm. Absence rendered visible and traces of presence in winter light.
Her Heart is Washed in Water and Then Weighed
Director
A meditation on motherhood and mortality that takes its title from a procedure in the autopsying of a human corpse. Subtle juxtapositions evoke parallels between static monuments and living families to suggest what is lost to time and age. When you die, everything you know, including this, disappears.
A As In Alpha Gain
Director
Re-works an old alphabet film to explore one girl's acquisition of language in the age of digital reproduction and manipulation. With elephants and giraffes.
This Existence Is Material
Director
A counter-archive of the past in which public images and private lives, the Old World and the New, collide. The film reflects on how boundaries between genders and generations are shaped by vision and language, by technology and warfare.
Whipped
Director
Noted documentary filmmakers Iana Porter and Sasha Waters direct this understated and decidedly un-exploitative look at the world of sadomasochism both as therapy and as business. The film focuses on three New York dominatrices who willingly, lovingly, flog, smack, and abuse their clients: young perky Carrie, glitzy 30-something Sonja Blaze, and Teutonic matron Eva. All argue that they are providing society with an important, if quasi-sexual, service. Their clients ardently agree.
The Waiting Time
Director
THE WAITING TIME is an experimental documentary exploration of desire, conception and the long waiting time of gestation. It is a study of a year in the filmmaker's body at age thirty-five, becoming a mother for the first time. As a thinking woman's sex education film, THE WAITING TIME is a feminist attempt to address and articulate the question of maternal subjectivity, the experience of motherhood for the mother herself.