Melisa Miranda

Preparing for a role, an actress holds conversations with pregnant young girls. Throughout the process, the girls lay out the stories of their own lives on camera, changing the course of the production of the film.

Hija de Perra was a transvestite artist who would become an icon of dissidence and a benchmark for Latin American underground, after she died in 2014. Multiple intimate and unpublished audiovisual footage, captured by her filmmaker best friend, reveal how this character came about. She experimented in music and film, wrote texts for the academy, and turned his cross-dressing into a political action, questioning gender and sexual identity.

A revelation about Oscar Torres, her unknown and once world-famous queer filmmaker cousin, sends Victoria down a path of self-discovery through reconstructions of his intimate memories living in the 1950's authoritarian Caribbean, as Victoria leads re-enactments of his unproduced screenplays with the family who erased him.

Dimas and Isabel lived in Arica when new border limits were imposed between Peru and Chile, dividing their descendants. Their great-granddaughter searches for her identity, crossing the limits of her memory, family chronicles and official discourses that shape the history of both countries.

Dimas and Isabel lived in Arica when new border limits were imposed between Peru and Chile, dividing their descendants. Their great-granddaughter searches for her identity, crossing the limits of her memory, family chronicles and official discourses that shape the history of both countries.

After 17 years working as a street prostitute in New York City, undocumented immigrant, Iván Monalisa reunites with former college classmate Nicole, the director of this film. Through their creative bond, Monalisa re-flourishes as a transgender performer and writer, in the search for identity and legalization.

Lissette's favorite aunt Adriana, who lives in Australia, is arrested in 2007 while visiting her family in Chile and accused of having worked for dictator Pinochet's notorious secret police, the DINA, and of having participated in the commission of state crimes. When Adriana denies these accusations, Lissette begins to investigate her story in order to film a documentary about her.

A journey through time, memory and experience of Aymara women of the Chilean Plateau, 4200 meters above sea level. Through their voices we'll present their points of view on Gabriela Blas, a local pastor imprisoned for the lost of her three years old son, while looking after her Llama herd. Days go by as we listen to their reflections on motherhood, life and death, in this abandoned land, were grazing Llamas and Alpacas is the sole breadwinner in a world in retreat, abandoned on the Andes mountains.

У Бруно всё было хорошо: работа архитектором в одной из крупных компаний, любящая жена и хорошая семья. Но внезапный порыв заставил главного героя оставить всё это и уехать на другой конец страны чтобы побыть в одиночестве. Там он знакомится с Фером, который работает учителем истории в одной из школ. И хотя у Бруно есть любящая жена, он не может сдержать своё влечение к молодому гомосексуальному парню. Сможет ли роман между мужчинами перерасти во что-то большее?

The narration of two parallel stories tells the history of the student movement in Chile. A teenager immersed in the political climate of his school and a former prisoner of the Pinochet dictatorship will find in the social mobilization the meaning of their own story.

Three years ago my mother suffered a serious cerebral stroke. In two hours herself vanished in front of me facing me suddenly with a body in which she was not anymore. Médula is the journey in which I try to recover the lost image of a woman that I was never able to understand nor get to know and who, today, feels more undecipherable than ever.