Director of Photography
Portrait of NFB filmmaker Alanis Obomsawin.
Cinematography
A portrait of Eugene "Gene Boy" (pronounced Genie Boy) Benedict, from Odanak Indian Reserve (near Montreal, Quebec). At 17, adrift and beginning to lose his way, he accepted a dare and enlisted in the US Marines and was sent to the frontlines of the Vietnam War. This film is the account of his 2 years of service and his long journey back to Odanak afterwards.
Cinematography
In this feature documentary, Aboriginal filmmaker and artist Alanis Obomsawin chronicles the determination and tenacity of the Listuguj Mi'gmaq people to use and manage the natural resources of their traditional lands. Our Nationhood provides a contemporary perspective on the Mi'gmaq people's ongoing struggle and ultimate success, culminating in the community receiving an award for Best Managed River from the same government that had denied their traditional rights.
Cinematography
In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.
Camera Operator
The fourth film in Alanis Obomsawin's landmark series on the Oka crisis uses a single, shameful incident as a lens through which to examine the region's long history of prejudice and injustice against the Mohawk population.
