Writer
В 1971 году человек, идентифицированный как Ди Би Купер, угнал самолёт из Портленда и получил 200 тыс. долларов в обмен на жизни пассажиров на борту. Спрыгнув с парашютом, когда самолёт пролетал над штатом Вашингтон, он полностью исчез из виду. По сей день никто не уверен в личности этого человека. Дело Купера остаётся единственным нераскрытым угоном самолёта в истории Соединённых Штатов.
Director
В 1971 году человек, идентифицированный как Ди Би Купер, угнал самолёт из Портленда и получил 200 тыс. долларов в обмен на жизни пассажиров на борту. Спрыгнув с парашютом, когда самолёт пролетал над штатом Вашингтон, он полностью исчез из виду. По сей день никто не уверен в личности этого человека. Дело Купера остаётся единственным нераскрытым угоном самолёта в истории Соединённых Штатов.
Director
Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won't take no for an answer when his request to enter the Church's headquarters is turned down. Inspired by the Church's use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux.
Writer
Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won't take no for an answer when his request to enter the Church's headquarters is turned down. Inspired by the Church's use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux.
Writer
Before Lance Armstrong, there was Greg LeMond, who is now the first and only American to win the Tour de France. In this engrossing documentary, LeMond looks back at the pivotal 1986 Tour, and his increasingly vicious rivalry with friend, teammate, and mentor Bernard Hinault. The reigning Tour champion and brutal competitor known as “The Badger,” Hinault ‘promised’ to help LeMond to his first victory, in return for LeMond supporting him in the previous year. But in a sport that purports to reward teamwork, it’s really every man for himself.
Director
Before Lance Armstrong, there was Greg LeMond, who is now the first and only American to win the Tour de France. In this engrossing documentary, LeMond looks back at the pivotal 1986 Tour, and his increasingly vicious rivalry with friend, teammate, and mentor Bernard Hinault. The reigning Tour champion and brutal competitor known as “The Badger,” Hinault ‘promised’ to help LeMond to his first victory, in return for LeMond supporting him in the previous year. But in a sport that purports to reward teamwork, it’s really every man for himself.
Producer
One man - Joe Maggard, one supersized pair of big red magic shoes. Over 99 billion served. Superhero Ronald McDonald leaps into action at a moments notice and fights Childhood Obesity.
Director
One man - Joe Maggard, one supersized pair of big red magic shoes. Over 99 billion served. Superhero Ronald McDonald leaps into action at a moments notice and fights Childhood Obesity.
Director
On October 1, 1975, World Heavyweight Boxing Champion Muhammad Ali was in the ring with his arch rival Joe Frazier for the third time. This fight in the Philippines, which has been nicknamed "Thrilla in Manila," is considered one of the most dramatic boxing matches in history - in the words of the voice-over, "They hated each other." With the help of archive material and eyewitness accounts (including Imelda Marcos), this documentary not only reconstructs the match, but shows us what was happening behind the scenes as well.
Writer
The week before Kurt Cobain was found dead from a single gunshot, he went missing. His whereabouts for that week has remained a mystery until now. But for the first time, the story of what happened to him can now be told, using the testimony of people who knew him, the witnesses who saw him in that last week and the ordinary people who found themselves written into his story that as one puts it, 'would have been a keystone cops comedy were it not to have ended in such tragedy.
Director
The week before Kurt Cobain was found dead from a single gunshot, he went missing. His whereabouts for that week has remained a mystery until now. But for the first time, the story of what happened to him can now be told, using the testimony of people who knew him, the witnesses who saw him in that last week and the ordinary people who found themselves written into his story that as one puts it, 'would have been a keystone cops comedy were it not to have ended in such tragedy.
Director
A documentary about the killing spree of Brenda Spencer, the 16-year-old schoolgirl who opened fire on a school playground in January 1979, killing two men and injuring eight children. Her only explanation of her actions was "I don't like Mondays". This incident was the first ever school shooting of its kind, and inspired the Boomtown Rats' number one hit song I Don't Like Mondays
Screenplay
In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.
Director
In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.
Writer
In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
Director
In the mid-1990s, spurred on by both the sudden world-domination of bands such as Oasis and Prime Minister Tony Blair's "Cool Brittania" campaign, British culture experienced a brief and powerful boost that made it appear as if Anglophilia was everywhere--at least if you believed the press. Pop music was the beating heart of this idea, and suddenly, "Britpop" was a movement. Oasis, their would-be rivals Blur, Pulp, The Verve, and many more bands rode this wave to international chart success. But was Britpop a real phenomenon, or just a marketing ploy? This smart and often hilarious documentary probes the question with copious interviews from Noel and Liam Gallagher of Oasis, Pulp's Jarvis Cocker, Damon Albarn of Blur, Sleeper's Louise Wener, and many other artists and critics who suddenly found themselves at the cultural forefront.
