Lívio Tragtenberg

Стела, молодая бразильская актриса, решает поставить спектакль, основанный на письмах, которыми обменивались латиноамериканские художники в 70-х и 80-х годах. Она путешествует по Кубе, Мексике, Аргентине и Чили в поисках работы и видит отголоски прошлого времен диктатуры, с которой столкнулось большинство латиноамериканских стран. В разгар расследования Стела узнает о существование Аны, молодой бразильской художницы, которая внезапно бесследно исчезла. Ана приехала из южной Бразилии, из маленького городка в глубине Буэнос-Айреса. Одержимая персонажем, Стела решает найти ее и выяснить, что с ней произошло.

The film recreates the Roosevelt-Rondon Scientific Expedition (1913-1914), commanded by the Brazilian colonel Cândido Mariano da Silva Rondon and former US president Theodore Roosevelt. Together, they crossed the Pantanal and Amazon Rainforest to explore the mysterious Doubt River.

Syllvio Luccio is a transsexual male being transformed in the middle of the Brazilian dry lands, a region of high temperatures, poverty and where male’s virility is extreme.

In his film Rua Aperana 52 Júlio Bressane describes the invention of a landscape, the topology of a corner of Rio de Janeiro. The film consists of a series of photographs taken between 1909 and 1955 by, among others, Bressane's parents at and around the address used as a title. These are interlarded with scenes from films made between 1957 and 2005, bringing the total fictional time the film covers to almost a century; one hundred years in which the winding road featured in almost every shot structures the new landscape behind the Aperana, which means 'wrong road'. Rua Aperana 52 is autobiographical, as it is a landscape from Bressane's youth, but it is also not so; it is more a multi-subjective mythology of a place seen through all those films and photographs. Bressane refers to his editing as an intuitive form of thinking aimed at evoking moods which make the viewer the new witness of the fictional landscape. A fiction about a fiction,

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious transsexual lawyer who begins a relationship with a male colleague who is unaware of her condition. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

The making of an unfinished film about phobias. Says the director. Behind the screens, he discusses at length (with e.g. Coffin Joe) about the aesthetic boundaries of the project: volunteers under controlled circumstances become immersed in their phobias in order to film the fear on their faces.

A story about the lies, treachery and vengeance of a middle-class family living on the outskirts of São Paulo. Four characters try desperately to change their lives, but are unable to escape their destiny.

Diogo is a cartographer and artist who is encharged to set the new frontiers of Portuguese Colonies in South America. When he reaches the center of the continent, finds apparently nothing but wilderness and ‘uncivilized’ natives with strange ways of living. But Captain Pedro, the rude scout who guides him through the jungle, involves Diogo in an involuntary act of violence which will tie him in an unusual way to that far away country. At the same time, the Portuguese colonists are trying to make peace with Guaicuru Indians (one of the few natives with horse-riding abilities). But peace doesn’t ever have a low price.

Selma, a retired nurse, is an extremely loving mother for his son Raimundo, in an almost incestuous relationship. One day, she becomes aware of some changes in her son's behavior. At first, she thinks it may be some girlfriend. But soon she learns it's something else.

Poetic documentary about brazilian musician Walter Franco.

Story with some autobiographical touches taken from director's life.

The film follows Manuel Maria du Bocage, 18th-century poet, as he travels through the world from orgy to orgy and from excess to excess.

A woman ready to move away from Brazil is kidnapped by her jealous ex-lover.

A museum worker - the watchman - motivated by the homonymous painting by Giorgio De Chirico, is introduced, through everyday life, into the metaphysical universe of the Italian painter.

The history of Brazilian popular music in the 20th Century, focusing specially on the life and works of intriguing singer Mário Reis, a loner who, with his special way of singing - whispering and softly saying the words - in a time when singers with potent voices ruled, was in a way a forerunner of Bossa Nova style.

An ode of love and hatred to the city of São Paulo. Composed of fragments of films, it follows characters in their natural habitat: the streets.

Based upon the life story of Father Antonio Vieira, born in Lisbon in 1608 and deceased in Salvador, Bahia, in 1697. He's considered the first Brazilian writer and one of the most important aesthete of linguistic and of the Portuguese language of all times, a master in the art of metaphor, of verbal relations and analogy. He was persecuted and condemned by the Portuguese Court of Inquisition due to his position against native slavery, against the intolerance to the Jewish people and to the colonial politics of exploration.

Film based on Manoel de Barros poetry. Story about poet's life in the swamp area of Brazil (Pantanal) and its wildlife; & his obsession with the sea and his new life in the big metropolis in Brazil.