Onsi Abou Seif

Egyptian Short

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

События вращаются вокруг трех эпох: эпохи фараонов, эпохи мамлюков и первой половины 20-го века. События вращаются вокруг коррупции и влияния некоторых священнослужителей на протяжении веков на власть и ложные и плохие отношения с людьми, а также на то, как вовлечь религию в политику, чтобы получить должности. То, что есть клерики, сознательно окрашивающие и подделывающие в этот период времени, чтобы быть сильнейшими и сохранять свои позиции.

When Yehia's scientific investigation of the paranormal yields nothing, he takes a forced vacation from his work and regular life. Wandering aimlessly, he settles in a seaside guest house that is inhabited by a group of quirky characters. As Yehia grows intimate with the owner and close to her charismatic young daughter, he believes he's stumbled across the magic he had sought for so long. It appears that something out of the ordinary seems to exist within them all, and perhaps also within himself.

Travelling between Germany, France and Morocco, Viola Shafik reconstructs and deconstructs the unknown life story of El Hedi Ben Salem through interviews with his companions and family members as well as archive material. With openness and slight naivety the interviewees explain how “Ali” became an oriental object of projection for the Fassbinder group, while El Hedi Ben Salem, the human being, was overlooked in order to establish the foreigner as “other.” A no-frills examination of a piece of German and Munich film history.

A man witnesses the drastic changes in society as he goes back to the Alexandria of his youth.

Love, passion, responsibility and loss follow a man over the course of half a century in this powerful drama from Egypt. In 1948, Hassan (Khaled El Nabawy) is working his first day on the job for a telegraph company when he has to deliver a telegram to Noura (Cyrine Abdelnour), a beautiful woman who is waiting on a ship docked in the harbor. The message is from Noura's fiancé, but when Hassan sees her, he acts on an impulse, and by the end of the day he's slept with Noura. In 1973, Hassan crosses paths with Noura again; her brother is in the hospital, and Hassan happens to meet Nadia, the beautiful woman's daughter who he may have fathered. And in 2001, elderly Hassan (now played by Omar Sharif) visits Cairo and meets Ali, Nadia's son, and both are taken aback at the similarities between them.

Ibraham Al Abyad young child is exposed and his father killed before his eyes by a great band trading in drugs say takbeer the child and the image of his father's death does not leave his eyes and hoped that the proceeding by the time quickly in order to take revenge on all its members, led, of course, the gang leader and for this train Ibrahim Abyad exercises cruel and violent and finds that the best way to take revenge on the gang members is to approach them and join them to be able to kill them in his own way. in order to this shared their operations dangerous to gain their trust and before he began to implement the old dream is captured in one of the processes and able leader of the gang smuggled out and save his neck from a rope the gallows.

A biopic of Egyptian singer Abdel-Halim Hafez.

A story about a police officer who was assigned to a secret mission as an undercover drug dealer, with the license to kill, deal in drugs, and do whatever is required for his identity to remain secret, with the ultimate purpose of reporting back to his supervisors. Gradually, after years of losing grip over his mission and purpose, realising that being a drug dealer has become his true identity, and that he hasn't heard back once from his supervisors, he then goes and tries to contact them back, only to realise that the designated postman had never delivered back any of the reports to his supervisors, let alone is aware that they exist.

Этот фильм представляет собой исследование того, что происходит с местами в целом и с людьми в частности, когда мужчины покидают египетскую деревню, чтобы исследовать более зеленую траву на пресловутой «другой стороне». Женщины, слишком старые и слишком молодые, остались позади... и по прошествии лет возвращаются только письма, рассказывающие истории об одиночестве и тяжелых временах. Молодой человек, Ахмед, растет в этом окружении и должен иметь дело с тем, что де-факто является ответственным лицом; когда несколько рабочих-мигрантов возвращаются в один прекрасный день, всем приходится смириться с тем, что все изменилось навсегда.

Производя раскопки в районе Великих пирамид, знаменитый египтолог доктор Леонхардт обнаружил небольшую шкатулку с древней папирусной картой, указывающей место захоронения сокровищ фараона Рамзеса Второго. Но Леонхардту так и не удается поведать о своем открытии миру. Его самый злостный конкурент доктор Бент, одержимый мечтой о славе первооткрывателя сокровищ Рамзеса, похищает своего соперника. Но часть карты остается у 14-летнего сына Леонхардта Джона и его подружки Карен. Преследуемые Бентом и его подручными, ребята приходят к выводу, что единственный способ спасти Леонхардта — первыми добраться до затерянной гробницы посреди пустыни и найти сокровища. Но у Бента на этот счет имеются совсем другие планы.

The residents of the Mokattam area are in a state of joy. Shata has been married to the dancer (Ahlam), but (Ahlam) has a lover's heart (Awad). In order to resolve the situation, Awad must arrange for the expenses of the marriage within a few days and the introduction of Ahlam's speech. Awad tries to help Awad and thinks that she is overdoing herself. Awad is committing a process closer to armed robbery and stealing his brother's clothes to sell. Ahlam is staying in an apartment of a foreigner to help her boyfriend buy the net.

Nubi spent a period of his life in a mental hospital after his father deposited him unjustly. He is not crazy, but his father donated all he had to the Communist Party, which was adhering to its principles. The government then placed the family property under guard. Nubian lives with his mother Rose and discover amazing facts, including that his father, who bears his name is not his real father, but his mother gave birth to her brown friend, and then discovered that his brother missed the family and no one knows his place but joined the extremist group.

Sheikh Hosny is a blind man who lives with his old mother and his frustrated son in the Kit Kat neighborhood. His son Youssef dreams of going to Europe to find work, and has a relationship with a divorced woman named Fatima. Sheikh Hosny refuses to admit his handicap and dreams of riding a motorcycle like every sighted person, he also spends his nights smoking hash with the locals in order to forget his miseries after the loss of his wife and selling his father's house.

An archaelogist falls under the spell of a statue with a curse on it.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Set in the summer of 1961 during Nasser's land reforms, ‘’Summer Thefts’’ is the story of a childhood friendship between Yasser, the son of a bourgeois landowner, and Leil, the son of an Egyptian peasant.

Directed by Khairy Beshara.

Действие фильма развивается на фоне французской оккупации Египта (1797-1803), отображает конфликт между традиционализмом и модернизацией. Бонапарт поручает начальнику инженерного корпуса одноногому интеллектуалу Каффарелли наладить контакт с местным населением. Он знакомится с одной из египетских семей, глава который — булочник, не интересуется политикой и мечтает лишь заниматься своим делом. Старший его сын — Бакр, горячий и непреклонный примыкает к исламским фанатикам. Средний — Али философ и поэт, его увлекают технические достижения Запада, он с жаждой впитывает в себя французскую культуру. Младший Яхья — впечатлительный, легко поддается любому чужому влиянию. Каффарелли сближается с Али и Яхьей...