Producer
Textile artist Anu Raud enjoys life on her grandfather's farm in Kääriku. She has never thought about demolishing something there just because it's old. Or to change something just for the act of changing something. She likes to be surrounded by life. Anu also likes small things - they just fit the country life. She longs to see small roads and small villages. She believes that in small places, people can grow much larger than in large places. And in large places, she thinks people just stay small.
Producer
Wild animals are in trouble. In areas that have always been covered with forests, there are now new housing estates, highways and polygons. Because of human activity, more and more animals get into accidents. But the injured animals still have hope because volunteer foster mothers take care for them.
Director of Photography
Wild animals are in trouble. In areas that have always been covered with forests, there are now new housing estates, highways and polygons. Because of human activity, more and more animals get into accidents. But the injured animals still have hope because volunteer foster mothers take care for them.
Editor
Film portrait of Estonian artist Dolores Hoffmann.
Producer
Film portrait of Estonian artist Dolores Hoffmann.
Producer
On a sunny day in November 1938 a magnificent white schooner set sail from Greenwich Village under the command of the young Estonian captain Ahto Valter. Travelling among several wealthy passengers from the US, Canada and England are also his Scottish-American wife and their 1.5-year-old son Teddy. With a crew of adventurers chosen from 5,000 applicants in the United States, the 70-ton auxiliary ketch Ahto starts a memorable and adventurous voyage around a world, flying the Estonian flag.
Editor
On a sunny day in November 1938 a magnificent white schooner set sail from Greenwich Village under the command of the young Estonian captain Ahto Valter. Travelling among several wealthy passengers from the US, Canada and England are also his Scottish-American wife and their 1.5-year-old son Teddy. With a crew of adventurers chosen from 5,000 applicants in the United States, the 70-ton auxiliary ketch Ahto starts a memorable and adventurous voyage around a world, flying the Estonian flag.
Cinematography
On a sunny day in November 1938 a magnificent white schooner set sail from Greenwich Village under the command of the young Estonian captain Ahto Valter. Travelling among several wealthy passengers from the US, Canada and England are also his Scottish-American wife and their 1.5-year-old son Teddy. With a crew of adventurers chosen from 5,000 applicants in the United States, the 70-ton auxiliary ketch Ahto starts a memorable and adventurous voyage around a world, flying the Estonian flag.
Camera Operator
While there are fewer and fewer World War II veterans among the living, the battles of this war keep reoccurring on different battlegrounds on the Eastern territories of contemporary Europe. Two young Estonian men, Andrey and Reimo, have been killed several times in these fights. Each time they resurrect, because those are the rules of the game they play along with their comrades in the Frontlinemilitary club. Enthusiasts of different nationalities join such clubs because of their appreciation for the memory of World War II as well as their love of reconstructing the 'soldiers' lifestyle of the era-in detail. SS-Untersturmführer Reimo leads the 20th division of the Waffen SS, Sergeant Andrey marches in advance of the Red Army's 11th Rifle Division. The fight for history goes on, with arms in young men's hands.
Editor
4-years-old Elizabeth was born in the family of former ballet dancers and she has spent mosto of her life in the ballet with her parents. She knows all the member of the Estonia Ballet company by their names and knows all the performances by heart as she has seen them so many times. Elizabeth loves, or to be exact, adores ballet, but would it be like this if she had other choices? This is little Elizabeth's journey in the magical world of ballet, where real life meets illusion and fairytales may come true.
Director of Photography
4-years-old Elizabeth was born in the family of former ballet dancers and she has spent mosto of her life in the ballet with her parents. She knows all the member of the Estonia Ballet company by their names and knows all the performances by heart as she has seen them so many times. Elizabeth loves, or to be exact, adores ballet, but would it be like this if she had other choices? This is little Elizabeth's journey in the magical world of ballet, where real life meets illusion and fairytales may come true.
Director
4-years-old Elizabeth was born in the family of former ballet dancers and she has spent mosto of her life in the ballet with her parents. She knows all the member of the Estonia Ballet company by their names and knows all the performances by heart as she has seen them so many times. Elizabeth loves, or to be exact, adores ballet, but would it be like this if she had other choices? This is little Elizabeth's journey in the magical world of ballet, where real life meets illusion and fairytales may come true.
Producer
Siisi is an active and handsome young woman who would have the energy to send the first Estonian space shuttle to Venus. Instead, she flies to Uganda, where she plans to open a caféteria that will provide employment for young people with disabilities.
Producer
Director of Photography
The documentary observes two matriarchs - Tiina Jantson governs the beauty contest empire in Estonia; Anne Eenpanu leads the activities of "Home Daughters" - a girls' corps of Estonian Defence League. The film's main characters and their activities are very different. Whereas Anne's pedagogical approach is almost totally based on the love for fatherland then Tiina spends her days in the glitter of show business. However, there are some similiarities in their lives. The documentary studies the values, gender roles and moral norms in Estonia at the beginning of 21st century.
Director of Photography
Follow up film to "Call-girl´s Christmas" captured four years prior by Artur Talvik and Rein Kotov. Kerstin, a prostitute portrayed in a blatantly natural-poetic documentary by Talvik-Kotov, has meanwhile been in prison for theft, then released and again called in front of the camera. A new person, perhaps, but still as skilled a manipulator of men as ever.
