Production Manager
Археолог и разработчик оружия, знавшие друг друга в прошлой жизни как кинорежиссера и психоаналитика, встречаются на раскопках в пустыне Негев и начинают разговор о любви и войне.
Art Direction
Dispossessed in an essay about the daily bread. In a country like Brasil, of such abyssal social inequality as there is here, it's urgent for me in cinema to talk about the class to which I belong, the class-who-lives-on-labor. And, alongside that, about the labor relations, the survival, the unemployment, the increasingly impoverished life, the small popular uprisings and the confrontations with the non natural order of things. In "Bread and People", we deal with ruins. And in the struggle of the old against the new, we face mainly the ruin of an idea of progress, and the debris of a critical anti capitalist art today. We've deepened our investigation of an epic, historical and dialectical cinema, using the materials of inspiration themselves.
Costume Design
An elegant dinner, which takes place in real time, brings together a group of intellectuals in the early 90s in São Paulo, Brazil: the hosts are the editor of the country's top news magazine and her husband, the company's lawyer, and the occasion is the wedding anniversary of the magazine publisher and his wife, a famous theater actress. The publisher has written an open letter to the president of the country, with serious denunciations, which will run in the upcoming issue. He risks being arrested this very evening. As tensions increase with the imminence of prison, secrets come to light revealing the conflict between the ethics sought in public life and the ethics practiced in private life.
Costume Design
Полицейский Одаир оказывается в ночном клубе "Потерянный рай", который принадлежит весьма необычной семье. Это свободные и раскрепощенные люди, которые отчаянно пытаются найти себя и свое место в этом мире. У Одаира завязываются тесные отношения с новыми знакомыми, но сможет ли он выдержать накал страстей?
Costume Design
Бразилия, 1821 год. Суеверный плантатор Антонио в результате разных болезней теряет родных, плантация оказывается в бедственном положении. Антонио посыпает голову пеплом, считая, что разочаровал бога, а оставшихся в живых родственников отправляет в город Серра. На загнивающей плантации остаются в изобилии чернокожие рабы, полоумная бабушка успешного белого человека и его новая жена — 21-летняя племянница последней супруги, Беатрис. За главного временно остаётся свободный чернокожий Иеремия, намеренный вернуть «проклятой» земле былое благополучие.
Costume Design
People who moved from São Paulo, a large city, to the countryside, come back to see a play. Later, they learn the driver of their chartered bus has disappeared. Now, on the street, at night, they have to face themselves.
Costume Design
In an arid and poor region of Brazil, bikers search for a miracle to make it rain and save the land, risking their lives.
Costume Design
Thomas, a Danish gay man, is unable to adopt in his home country. He visits a friend in Brazil to explore the possibility of bringing home a child. Eventually he meets Maria, a poor woman who is willing to give away the child she is carrying in exchange for money. As he waits for the child, Thomas takes care of Maria, and their relationship develops in a way he did not expect
Costume Design
Based on the life of Roberto Carlos Ramos, a Brazilian teacher and storyteller brought up in a state educational institution for poor children.
Costume Design
In the periphery of São Paulo, the pregnant single mother Cleuza works as maid in the apartment of a middle-class family. Each of her sons has a different unknown father: the oldest, Dênis, has a baby son that lives with his mother and he works as motorcycle courier.
Costume Design
Silmara, an industrial worker and a woman of exuberant beauty, supports her arsonist father and gets involved with two different pop stars, from whom she learns traumatic life lessons.
Costumer
Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.
Costumer
Если бы Сатана искал местечко для филиала ада на Земле, ему не пришлось бы долго возиться. Наверняка им стала бы тюрьма Карандиру, самое жуткое исправительное заведение в Бразилии. Фантастическая антисанитария, отвратительная еда, охранники-садисты и нарушения всех мыслимых прав человека сделали ее печально знаменитой задолго до того, как однажды в 1992 году доведенные до отчаяния заключенные Карандиру подняли мятеж. Полиция с огромным трудом потопила восстание в крови, убив 111 человек. В итоге, из-за разразившегося международного скандала властям пришлось разрушить тюрьму до основания как символ национального позора.
