Zhang Jian

Фильмы

Dada's Dance
Cinematography
After her mother's lecherous boyfriend reveals she's adopted, incorrigible flirt Dada skips town -- with hopelessly smitten boy-next-door Zhou in tow -- in search of her birth mother.
I Love You
Cinematography
A young woman who has lost her first love begins a relationship with his best friend, and the two of them attempt to create a baggage-free future.
Lan Yu
Cinematography
A love story between a country boy in Beijing to study and a wealthy businessman set against the backdrop of the 1989 Tiananmen Square incident.
Shower
Cinematography
An aged father and his younger, mentally challenged son have been working hard every day to keep the bathhouse running for a motley group of regular customers. When his elder son, who left years ago to seek his fortune in the southern city of Shenzhen, abruptly returns one day, it once again puts under stress the long-broken father-son ties. Presented as a light-hearted comedy, Shower explores the value of family, friendship, and tradition.
Spicy Love Soup
Cinematography
Six different episodes about different generations' relationships. Love can be sweet, sour, or spicy.
Восточный дворец, западный дворец
Director of Photography
Парки и туалеты «запретного города» в центре Пекина — место встреч гомосексуалистов. Полиция регулярно проводит облавы и вылавливает геев. Герой фильма, очарованный красотой одного из полицейских, почти добровольно сдается ему и на допросе рассказывает историю своей жизни.
Sons
Director of Photography
Story of a real family in Beijing. The father's drinking problem starts it all. The mother struggles to keep the family together till she cannot take it any more.
Beijing Bastards
Director of Photography
A rock musician looks for his girl-friend who left while pregnant, trying to decide whether to keep the baby.
Mama
Director of Photography
Often cited as China’s first independent feature film, this low-budget drama, filmed largely in the director’s Beijing apartment, depicts the life of a single mother (a topic considered taboo at the time) caring for her mentally challenged son. Shot with a documentary aesthetic that includes interviews with families of mentally challenged persons, the film helped kick-start the Sixth Generation of filmmakers (including Wang Xiaoshuai and Jia Zhangke) and their ethos of employing documentary realism to depict the true conditions of contemporary China.