Vanessa Hernández

Фильмы

The Howls
Post Producer
A young girl who goes on a journey to find the lake of Texcoco.
The Howls
Co-Producer
A young girl who goes on a journey to find the lake of Texcoco.
History Lessons
Post Producer
Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.
Всегда возвращается
Post-Production Manager
Темная сказка о банде пятерых детей, пытающихся выжить в городе, полном насилия. В их руки случайно попадает телефон, где записаны убийства похищенных людей и за ними начинают охоту мафиози. У одного из подростков, девочки Эстреллы, есть 3 желания. Но после того как ее пропавшая мать вернулась мертвой, девочка понимает, что когда находишься в центре жестокости и насилия, желания никогда не сбываются так, как вы хотите
How to Break Up with Your Douchebag
Post Production Supervisor
This comedy takes its cue from such female-centered films as "Bridesmaids" and "Trainwreck." Pic centers on a woman who makes a living from breaking up couples and decides to take on the task of splitting up her sister's relationship with her jerk of a boyfriend.
Charity
Post Production Supervisor
Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.
Demon Inside
Post Production Supervisor
Marta used to be a recognized and successful psychic, but after a dramatic experience, she loses faith in her gift and develops agoraphobia. She couldn't see the devilish side of her rapper, Mario, and now, Marta is afraid that Mario will stalk her again. As soon as she released from the asylum, she moves to Monica's uncle apartment. There, she feels safe. But soon, she has trouble with her crazy neighbors. And if this wasn't enough, a spectrum starts to haunt her, making her life impossible. Marta will have to fight against all these difficulties and manage to get her gift back before Mario finds her.
En el país de no pasa nada
Production Office Coordinator
A crooked CEO is kidnapped and nobody cares enough to pay his ransom.
Entangling Shadows
Production Coordinator
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
Hypnotized
Post Production Supervisor
The story about a hypnotist whose stage act is to give contrasting personalities to his audience members: but during one of his shows, after hypnotizing ten “victims”, he suffers a stroke and falls into a coma. The question is, then: how are these people supposed to come back to their normal lives?