Carmela Locantore

Фильмы

За стенами
Ilir's Mother
Поль, молодой пианист, встречает Илира, этнического албанца, басиста. Это любовь с первого взгляда. В эту же ночь Поль оставляет свою невесту, чтобы остаться жить с Илиром. Однажды, когда Поль обещает, что он будет любить Илира всю оставшуюся жизнь, Илир покидает город и не возвращается. Через несколько дней, Поль узнает, что Илир находится в тюрьме…
Le planeur
La serveuse
Bruno pursues Fabrice, runs without calculation, to fly away with him, until the end.
Painting with Falls
A journey inside a picture thus offers the opportunity to travel through Belgium at the approach of the 21st century, and also to bring up a host of questions an what the eye sees: what do we see disappearing under our very eye? Why do we look at specific things? What is a point of view?
A Room For The Night
End of the seventies. Somewhere in the North of France, Frédéric, a 40-year-old, picks up Marlene, a young hitchhiker. They decide to spend the night at an inn.
Il maestro
Paola
A renowned conductor suddenly pulls out of an evening rehearsal of Madame Butterfly. The opera director senses something is going on and forces the musician to explain himself.
Crazy Love
Gina
Three 'Bukowskian' torrid nights in the life of a man in search of love. Harry Voss, 12, is young and naive. Love, for him, is romantic love between princes and princesses demurely kissing each other on the mouth. His father is a hero who kidnapped his mother and married her on a lonely mountain peak... Later on, he'll do the same. But Harry has a lot to learn. He learns about 'being hot' and 'fucking' and about what you have to do when you're alone and 'feel the itch'. He also learns that there are handsome men and ugly ones, that love can be unfair. That one can find comfort in drinking... but above all he learns that man is capable of anything - absolutely anything! - to get his fair share of love.
Toute une nuit
Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.