Editor
Шиму сбежала из деревни ещё ребёнком, когда её мачеха пригрозила выдать её за мужчину средних лет. Теперь ей 23, и она живет в столице, трудится по мучительному графику за ничтожную зарплату на текстильной фабрике, пока её муж безуспешно ищет работу.
Editor
Roya is a middle-class Muslim woman that struggles to find herself in the sprawl of urban Bangladesh. When she discovers that she will be replaced by a younger actor for the role of Nandini —a central character of Rabindranath Tagore’s political play Red Oleanders —she battles to reconstruct the part, reclaiming her identity and sexuality in the process. As she sets the play in a modern day ready-made garment factory in Dhaka, her journey to establish her individuality is juxtaposed with the journey of her housemaid Moyna, who later joins the industrial workforce.
Guy 1
An uncut shot of a journey taken to discover the various layers of the relationship between man and nature and the different perceptions of reality within two full circles. The short film storytelling technique exploits the strength of non-diegetic sound elements and explores the freedom of framing techniques.
