Teppei Himuro

A 1943 film.

1942 adaptation of Izumi Kyoka's novel.

What is marriage? Young couple in match-making wanted to know before they decide. They visited married couples of sisters and brothers. Love comedy in 1942.

The title might sound shocking, but the red hands mean, the hands which drag fishnets. Ohama, 15 or 16 years old girl lost her family and lived alone in a fishermen's village. She is a strong-minded girl and very popular among young children. I guess that this story is one of the origins of girl's manga in the 1950s in which I belonged to the first generation of Japanese story manga.

Jurobei, a kaisen tonya (wholesaler in port) in Awa, was wronged and killed on the day of the Dance Festival by the evil merchant & the chamberlin. His brother (Kazuo Hasegawa) vowed vengeance on the day of his brother's death. So every year the villains are worried during the Awa Dance Festival (which is part of the Obon festival), but nothing has ever happened, until seven years later...

A Fond Face from the Past is also set in a rural community, specifically a village outside Kameoka, near Kyoto. In some ways this short, thirty-six-minute film is Naruse's most moving negotiation of the militarist restrictions of the time, perhaps because it is also his most direct engagement with the culture of war. When a newsreel comes to Kameoka featuring a local man named Yoichi, it causes some excitement in the community and, of course, in Yoichi's own family. First of all his mother makes the newsreel (Nippon News, no. 14), which begins with the same marching music that opens his own film, followed by a curious baby judging context in Los Angeles featuring two hundred Japanese babies. Released in January 1941, almost a year before the pacific war begins, this “found footage” is indicative of Japanese imperialist ambitions beyond Asia long before Pearl Harbor.

This film depicts a troupe of wandering kabuki players traveling through rural Japan.

Enoken no wanwan taishô AKA Wanwan Taisho AKA Bowwow General directed by Nobuo Nakagawa

Jidaigeki from 1940

Дебютный для режиссёра Тадаси Имаи фильм, снятый в военные для Японии годы, показывает довольно откровенно, хотя и без явного осуждения воспитание самурайской идеологии в аристократическом военном училище.