Chan Kin-long

“I want to marry myself!” To plan for a solo wedding, to marry myself, to declare my forever love for myself to the world! Attractive comedienne Ping vows to become a viral Youtuber. She concocts a plan to put on a show of marrying herself in what was meant to secure both money and likes! However, the scam ultimately ended up in the discovery of her true self in this coming-of-age fairy tale comedy. To love others, I must love myself. Simple enough, right? But who am I? In a pageant of love, four contest as lovers, each one goodhearted in their own right. Does Ping want all four or none at all? By marrying herself, can she figure out who she really is? And who she really loves? Ping will tell it all on the day of the solo wedding… In this satire of marriage and the individual self, nothing is left untouched: women, men, organised religion, homosexuality, the filthy rich, not to mention ye good old mother! Love yourself in Say I do to me, won’t you?

On the night before Yuet's wedding, best friends Nam and Yuet recall their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love.

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other’s company…

A retired British Chinese soldier, a young South Asian man, an encounter at Chungking Mansions. Coincidentally, they both offended the same gang boss. What has given them a new lease of life and how do they rediscover themselves through each other’s company…

Фонг уже семь лет встречается с Эдвардом, но ни она ни ее парень вступать в брак не торопятся. Однако под давлением окружающих Эдвард всё-таки делает девушке предложение, не подозревая о том, что та уже десять лет как связана узами фиктивного брака, от которых никак не может избавиться.

Studying in Hong Kong but living in Shenzhen (the port city of Mainland China), Peipei has spent 16 years in her life travelling between these two cities. To realize the dream of seeing snow in Japan with her bestie, Peipei joins a smuggling gang and uses her student identity to smuggle iPhones from Hong Kong to Mainland. Her family life and friendships begin to fall apart. The daily life of Peipei starts to get out of control.

Four young lives were changed forever when they become involved in the 1967 Hong Kong Leftist Riot; half a century later, another four face similar challenges amidst the Mainland-Hong Kong conflict.

Love, is always a complicated theme. He thought he had forgotten her, yet he didn't. Finally, he and she meet again, however, it's too late. She is engaged. And he has become her wedding photographer. She thought she had let him go,yet she didn't. He is still in her heart. Will love go on, or way back? It's complicated.

Гонконг, 2009 год. Полиция вызвана на место преступления, явно произошло убийство, но тела нет.

Отставной полицейский, содержащий бар, помогает пьяной девушке и привозит ее домой. Когда его брат отправляется проводить проснувшуюся после бурной ночи девушку, на них нападают бандиты и увозят незнакомку в неизвестном направлении. Герой бросается ее спасать, понимая, что все больше погружается в пучину лжи и преступлений, которые он, верный зову полицейского долга, должен будет распутать.

Восемнадцать... нет, 16 пассажиров, севших в маршрутное такси (и водитель, конечно), отправляются из Монкока в Тайпоу. Как только красная маршрутка проходит тоннель Лайон-Рок - переход с Коулуна на новые территории, - Гонконг становится городом-призраком. По прибытии в Тайпоу все, находившиеся в автобусе, начинают понимать, что что-то не так. Почему на улицах пусто? Где все? Почему на их звонки никто не отвечает? И кто эти таинственные фигуры в масках, время от времени появляющиеся перед растерянными пассажирами?

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...

Pak-kiu works as a gaffer while waiting for his first break in front of the camera. An inviting target of ridicule, he remains unwavering that he will rise above the sordid realities of the glamorous world of film-making with his determination to be a proper actor rather than a star. So when he is offered a bit part as a cancer patient in a new film, he jumps at the chance to practise method acting, literally getting into his character and inhabiting him through claiming membership of a support group, which reunites him with an old classmate. However, the reunion, shrouded in a façade of altruistic motive, leaves him ill-prepared for a role in real life that is not so easily dismissed as a character in the script...